The Fires of My Childhood
by Reza Khodamehri
If you ask an Iranian, how was the Festival of Fire in your childhood, he may answer you, I loved it, I loved to play with the fire, to jump over it, to measure myself with the other children, who could jump higher and wider and to stay awake all night long. I remember many years ago when I was a little boy we just had the fire and firecrackers were a rarity. But one day my friend gave me one firecracker, proud and full of anticipation, what would happened now, I ran through the streets of our neighborhood, searching for a suitable place. As it was the custom, people were sleeping in the afternoon to become fresh for the rest of the working day.
The street close to our house seemed to be the right place. I ignited the firecracker and through it against a house wall. The bang was gigantic. Probably Teheran only heard such a bang in times of war.
I was very surprised and my heart was beating faster of joy at the sudden bang. Carefully I looked to the left and right, everywhere people were standing still and looking at me. I got frightened because I was thinking, people would hit me in anger over their disturb siesta. As fast as I could I ran back home.
But until now, I remember this story, the bang was too beautiful, that I could never forget it.”
Today Teheran is a long lasting bang, which doesn’t allow any siesta and wakes up all sleepers from their dreams. Thanks to Chinese imports firecrackers are available in every imaginable way and especially children and young people love to play with the fireworks. Parents watching this with worry since there are serious burns every year due to improper use of firecrackers, despite warnings in television. But in this night no child can be kept at home and all adults have to go out to attend this spectacle.
Many different colors are painting the sky. In the Night of Fire Teheran is like a colorful explosion and everything which has no valve otherwise, is going of, young men are in the streets dancing to Persian rhythms, the whole neighborhood gathers and everybody, having legs, is jumping over the fires, which can be found in the whole city.
The jump over the fire has a long tradition in Iran and the fire is attributing a purifying effect, with the jump all sicknesses and problems are offered to the fire and in doing so, people are singing zardi-ye man az toh, sorkhi-ye toh az ma, which means, the yellowish is yours and the reddish is mine. The yellow color symbolizes all the bad things, which people might have collected in the old year and the red color stands for the warmth and energy the fire can give.
The Festival of Fire or also named as Chahar Shanbeh Suri, is celebrated at the last Wednesday before Iranian New Year, which starts with our beginning of spring. This tradition is a kind of preparation for the New Year and it refers to a thousand year old tradition. Already Friedrich Nietzsche was writing about these old custom in his famous book Thus Spoke Zarathustra.
Later on, frozen from the cold night, after the firework has been finished, rice pudding with hot cherries will be served in the warm and cozy Persian house. Every family is sitting together, from time to time it is banging outside and slowly the city and its mountains are covered by a veil of smoke. Some lights are burning through the dust and from time to time all lights are going out until all houses became dark and only the streetlights are burning and the streets really seemed to be empty.Tonight many dreams are rising into heaven these are the dreams of the children’s souls, dreaming of lightening fire and colorful and loud fireworks.
About the Persian New Year:
What is Persian New Year All About?
Nowruz – Persian New Year
Persian New Year Dates
About the author:
Reza Khoudamehri is an Iranian journalist, film maker and photographer. www.khodamehri.com
Photo credits:
ČAHĀRŠANBA-SŪRĪ courtesy of Tasnim News Agency / CC BY
Other photo by Reza Khoudamehri










The third owners of this piece of the Tanur Cave were Neanderthals. They comprised the Mousterian culture and they immigrated here 100,000 years ago and called Nahal Me’arot home for about 60,000 years. You can see a Neanderthal exhibit in the Garmal Cave where you find male and female figures dressed in animal skins. The stocky, muscular Neanderthals stretched animal hides out on frames and produced stone spear heads. There were also a number of dug out areas in the ground but it is not clear what these were used for. Contrary to popular opinion the males did not carry clubs over their shoulder.
Herod the Great is most infamous for trying to eliminate the infant Jesus in the Bible (Matthew 2:16-18). At the same time he was also renowned as a prolific builder. All of his projects were built to impress but a number of them were designed with a unique purpose in mind. Masada was constructed as a fortress retreat in case the population revolted. The fortified palace at Herodium contains his tomb and of course there is the second Jewish temple in Jerusalem. The city of Caesarea by the sea (maritima), built between 22 and 9 BCE, was a man-made seaport named in honor of Caesar Augustus.
According the Roman Historian Flavius Josephus, this theatre was the site where Herod Agrippa died as recorded in the Book of Acts (Acts 12:19-24). Herod Agrippa, grandson of Herod the Great, was the king of Judaea at the time.
In Amman, You will not find thousands of tourists dotted like ants among the relics like you would see in Rome. You may encounter another tour group or other visitors, but for the most part, both the Amman Citadel and the Amman Roman Theatre were quite empty in the morning when we visited them. Tourism in Jordan is suffering due to the instability in the region. But despite the negative media coverage on the Middle East and the two million refugees camped near Jordan’s Northern border, we felt completely safe the entire time in Jordan.
After wandering the winding streets of downtown Amman, a visit to the famous Hashem Restaurant in Amman is a must for any foodie. And to be honest, everyone should visit. Open since 1952, this open air restaurant is a favourite of King Abdullah II and almost every dignitary or celebrity that passes through Amman will find their way to Hashem. It does have indoor seating, but literally wedged between two building, most of the patrons spill into the patio and enjoy their meal outdoors. Their legendary falafel and hummus, combined with their cheap prices make it a favourite for locals as well as tourists. If you arrive right at dinner time, expect it to be busy. try and pick a non-peak hour to visit if possible.
We traveled to Jordan in the fall of 2016. The current security risk from
Major hotels in Jordan have metal detectors and bag scanners, which the locals are accustomed to, and it gives an extra sense of security to visiting guests. i did not find this caused me or my family any worry. In fact, the kids were (for once) happy to carry our bags and run them through the scanner. The doormen were always friendly and happy to show the boys pictures of their scanned bags.
It was early in the morning when I first walked into Nagh-e-Jahan square. It was a national holiday so people from all over the country had flocked to Isfahan. For me this meant the only available space in a hotel was little more than the floor of a converted underground storage room. Thoughts of such cramped accommodation made me happy to now be standing in one of the world’s largest squares. A huge open space, enclosed by covered arcades on each side is home to three of the high points of Persian, and world, architecture, the Imam(Shah) and Shekh Lotfollah mosques and the Ali Qapu palace.
Getting up off the grass I walked toward the largest of Nagh-e-Jahan’s monuments, the Imam(Shah) mosque. Every inch of the sizeable structure is covered in blue and turquoise tiles, a speciality of Persian architecture. The mosque’s massive but intricately detailed gateway interrupts the plain brickwork of the surrounding arcades. The central arch alone climbs up to 27m with the two flanking minarets continuing further to reach 42m. Inscriptions in white Arabic script against a deep blue background frame central entrance. The rest of the space is filled with floral and geometric patterns in a mix of lighter colours. The level of detail is such that no corner, edge, or spot is left unadorned. This level of detail continues inside with over 400,000 painted tiles covering the arcades, halls and gateways of this extensive mosque complex. If the mosques of Nagh-e-Jahan square are the crowning glories of the Shah’s building programme then the domes are certainly the glittering jewels.
The architects of the Safavid period (AD1501-1736) covered both the interior and the exterior of their domes in coloured tiles with colourful and impressive results. The Imam mosque is topped by an unblemished turquoise dome which fades paler and paler as the sun hits it. On the inside, yellow and cream floral patterns grow in circles against the blue background until this mass of individual details culminates in one central point at the top of the dome. Starring up into this pattern I could start to see that this wasn’t all about making something simply beautiful, these thousands of tiles were arranged to make a point. That the decorating pattern flows up, or flows down, from one central point was not just an aesthetic choice, it symbolises the climb up to heaven. The decoration of the mosque, like all art, is there to help people think of things beyond themselves.
Perhaps not surprisingly there was more of a preference here for yellows and golds which are lit up by the sunlight flowing in through a series of windows. It says a lot that scholarly opinion suggests the Shekh Lotfollah is on a higher artistic level than even the Imam mosque. More effort and expense were put into this building and, while it is the smaller of the two, it is more embellished than its popular neighbour. The religious ideas motivating the decorations are again visible as I look up at the roof of the prayer hall. Circular patterns ascend in ordered rows to culminate at the top of the dome to inspire the visitor to contemplate the one centre.
The building programme of Shah Abbas also left a significant legacy spanning the river Zayendah. Numerous monumental bridges cross the wide stretch of water at Isfahan, some with foundations going back over a thousand years, but the longest is the Si-o-seh pol. During the day it is a long flat place to stroll along and combinations well with the grassy banks of the river to become an ideal place to rest in the afternoon. Covered niches line the sides of the bridge giving people dozens of semi-hidden spots to sit quietly looking out over the river. With evening the promenading crowds increase as do the numbers of river birds that flock over head.
