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The Olmec World

by Georges Fery

What we know about the Olmecs is shadowed by what we do not, most notably their origin and their name. The riddle further deepens when we look at their art, which still puzzles researchers, among which are seventeen massive stone heads found on Mexico’s gulf coast, among many others. Most Olmec settlements were found, as recorded in the Codex Mendoza (1541) and the Florentine Codex (1585), on the Gulf Coast in today’s states of Puebla and Tabasco. According to sixteenth century Spanish chronicler Fray Bernardino de Sahagun (1585), Aztecs informants, asked about the lands and people, told him that it was called Olman in the Nahuatl language, or those who live in “the land of rubber,” for the latex extracted from a Moracea family tree (Castilla elastica), from which rubber balls for ritual games were made. By 1519, the Aztecs had incorporated the western part of Olman into their empire. Their codices list every province and the tributes paid by each to the lord of Tenochtitlán; Olman was one of the richest.

We know that the Olmecs had a writing and numbering system of dots (0 to 4) and short bars (for 5), which was later acquired by the Mayas who followed them. However, no complete texts from the Olmec culture have survived. Before the Olmecs, Paleo-Indians inhabited Olman, a fact learned from archaeological remains dated 5100-4600 BC. Radiocarbon and cross dating with sites in other parts of Mesoamerica anchor the Olmec culture to early 2700 BC. Archaeologist Ann Cyphers points to ceramic remains in the La Venta area of Veracruz, that attest to village life from 2300 to 2100 BC.

The archaeological record then shows a steady development during the years known as the Middle Formative, 1800 to 1400 BC. Monumental artworks iconography and significance point to an early date, and a powerful social class organized in hierarchical lineages. The population, besides craftsmen and traders, was dedicated to food production, farming and corvee labor. The settlement of  La Venta and San Lorenzo Tenochtitlán were likely inhabited as early as 1900 BC by people who were the direct ancestors of the Olmecs. Artist and scholar Miguel Covarrubias, considered the Olmecs the “mother culture of all others in ancient Mexico.”

Olman territory covered about 3,800 square miles, including the Papaloapan, Coetzalcoalcos and Tonalá river basins, and adjacent foothills south and east of the Tuxtla mountains, the main source for basalt used to sculpt large stone figures. These mountains were the main source of basalt, used to sculpt the large stone figures, for which the Olmecs are known today. The mountain range includes the historically active volcano San Martin Tuxtla which rises above 5500 feet and whose last eruption was in 1793. Extinct volcanoes are the San Martin Pajapan (3800 ft.) and the Cerro El Vigia (2600 ft.), there are also several smaller cinder cones found throughout the range.

The Olmec heartland extends from the Gulf of Mexico to the crest of the mountain ranges of Oaxaca, to the state of Chiapas and the Isthmus of Tehuantepec to the south. It covers the states of Veracruz and western Tabasco where most of the culture’s impressive remains are found. This core zone is a complex mosaic of large streams, tributaries, natural levies, swamps, lakes, upland ridges and islands.

The number of villages and towns increased across the land, built on natural mounds often surrounded by streams and swamps. Annual rainfall and floods were common in such a tropical environment. On large mounds were raised truncated pyramids made of packed earth and stones.

The large mounds were associated with the mountain of the beginning of time where human life was believed to have begun, atop which communities were built, surrounded by the primordial sea. Today, as in the past, seasonal changes in river levels dominate life in the region. The 800 years between  1200 and 400 BC saw the development of great sites at San Lorenzo (1200-800 BC), which stands at the beginning of the Olmec sequence, La Venta (800-400 BC), and Tres Zapotes, which developed between 400BC and 100AD, at the end of the sequence.

Few Olmec skeletons survived in the acid tropical soils of Olman, so the Olmecs’ physical appearance remains uncertain. However, the archaeological record shows Olmec stone works with realistic depictions of the morphological phenotypes of people living in tropical rainforest, such as compact and squat muscular bodies, short wide noses, epicanthic folds that give the eyes an Asian cast, a fleshy mouth with thick, at times downturned lips, a short neck, and black hair both straight and curly. These morphological particulars are not unique. They are generally found in human communities living in hot and humid climates that help people survive in taxing environments such as those of the tropical forests of Southeast Asia, Africa, South America, the tropical islands of the Pacific and the Indian Ocean.

Over the last years, the origin of the Olmecs has been the subject of unfounded speculations by afro centrists claiming that they came from Africa (Van Sertina, 1976, et al.). These claims are utterly refuted by the world scientific community through DNA analysis. Thorough scientific and anthropological research by world renown geneticists and scholars unquestionably establishes that remains from San Lorenzo and Loma del Zapote shared the five mtDNA haplogroups A, B, C, D, and X common to Olmec remains and today’s indigenous groups of the region, to the exclusion of any other. Before the Norse explorer Leif Erikson’s landing in North America (1018-1025), no transatlantic crossing is recorded in the north or south Atlantic oceans and nothing after that until Columbus in 1492. Nor were any foreign human, animal, or material remains found in the archaeological and anthropological records predating Olmec occupation.

So, how did the Olmecs get there? Human migrations from Eurasia over 34,000 years ago are well documented. People then walked across the thousand miles wide ice bound Bering land-bridge to the Americas, on the trails of large wild games. In southern Chile, Monte Verde.I paleolithic site, dated 16,500 BC, is a long way from the ice bridge, and underline the extent and persistence of human migrations far back in recorded history. Carlson, Erlanson, and others argue for a coastal migration by boat along the Pacific northwest 12,000 years ago. Austronesians mastered ocean travel by 7000 BC when they landed on the island of Taiwan, and later in the Philippines, in 4200 BC. During the Asian Bronze Age (3300-1300 BC), untold numbers of human groups sporadically migrated from the Eurasian landmass, and the southeast Asia tropical forests to the Americas by land, and along coastal routes. The initial settlements of most groups took place along the Pacific coasts of the Americas, many settling in tropical lowlands. Through time and the Tehuantepec mountains gap, migrants moved East to the Gulf of Mexico; among them were those the Aztecs called the Olmecs.

Through the Upper Preclassic (2400-1200 BC), Olmec lords ability to mobilize large workforces to build huge earth pyramidal mounds and monumental stone sculptures increased significantly. After 1200BC, San Lorenzo, was built on a 220-acre truncated earthwork mound, consisting of over seven million cubic yards of hard packed sediments. On its two-and-a-half-acre top, large stone buildings were erected among which was the twenty-thousand-square-foot Red Palace complex and elite residences, together with secular and ceremonial structures. Lower population segments such as lesser nobility, traders, and master craftsmen resided on the lower slopes of the pyramid, while commoners and farmers lived on scattered mounds beyond.

The four levels of Olmec physical environment revolved around land, water,  plants and animals. Olman was associated with a spiritual world that controlled both nature and people, because actual and spiritual worlds were then perceived as one and the same.

The massive structure at San Lorenzo was symbolically regarded as the primordial sacred mountain, surrounded by the mythic waters from the beginning of time. Its massive stone artworks underlined the political and religious powers of the state at this early time, who could marshal thousands of workers and specialists (Cyphers, 2018). The thought process that brought this spiritual awareness was grounded in totemism which unfolded over untold past generations and helped people to grasp and share life with an inherently hostile nature. These beliefs were at the root of the binary nature-culture dichotomy, whose mythic beings and deified ancestors of the mind were understood to live in caves’ deepest recess, homes of the Earth Monsters associated with the earth. The deity is also found in later Mesoamerican myths deemed to be related with their political and priesthood hierarchies whose legitimacy to govern was believed to be conceded by the divine (B. de la Fuente, 1996).

Olmec architecture initiated the formal patterns that were later followed by other cultures in Mesoamerica. It also followed the now conventional association with the orientation of buildings to cardinal points, and the placement of sculptures in astronomical alignment. Monumental stone sculptures were dedicated to recreating historic or mythic events in large cities and towns. The Olmecs stand out from other Mesoamerican cultures as the only people to create colossal heads without neck or body. The reason may be that the head was perceived as the seat of the five senses, knowledge, emotions, and the most obvious visual identity of a person. The record shows that most heads were carved from single blocks of volcanic boulders from the Sierra de los Tuxtlas. Others, such as those of Tres Zapotes, were sculpted from basalt from the summit of Cerro El Vigia, at the western end of the Tuxtlas chain. The San Lorenzo and La Venta heads, on the other hand, were probably carved from basalt from the southeastern side of Cerro Cintepec. Seventeen massive stone heads have been found; however, more may still be buried.

The large heads sizes range from over five and half to eleven feet in height, while their weight varies from six to twenty-five tons. Head.1/Monument.1, is 25.3 tons (9.3×6.9ft), and Head.8/SL61 at San Lorenzo is 13 tons and 7.2 feet high. Ann Cyphers, who discovered the last head (SL10, 1994) at San Lorenzo remarks that they were figures from dead lords (2007). The stone blocks, from which heads were carved were roughly shaped at the quarry before being carried over inhospitable terrain to their final location. The means of transportation, at times over forty miles of land, rivers, and swamps, is still debated. Each massive stone may have required over a thousand men mobilized for up to four months, between sowing and harvesting seasons, to carry the large stones from quarry to destination, which points to the dictate of a powerful state. Wood platforms and rollers were likely used to move heavy loads over hard ground before they were loaded on large rafts over rivers and lakes. On arrival at a designated site, craftsmen worked the roughly shaped stone into a head, a throne or other monumental artwork.

Opinions vary regarding the identity and function of sculptures variously identified as ballplayers (Pina Chan, Covarrubias, 1964), gods of vegetation (Coe, 1978), or monuments of dead leaders (Westheim, 1963). Our opinion is that the heads were those of descendants of living lords vindicating their undisputable right to rule inherited from their ascendants. The importance of portrayal underlines dynastic representations and the illustrious nature that justified aristocracy (Shele and Miller, 1986; Shele and Freidel, 1990). Mexican archaeologist B. de la Fuente (2020), point out the similarities of the almond shaped eyes on large heads, implying family or marriage alliances from lords of the ruling families of San Lorenzo, La Venta and Tres Zapotes.

Another cultural marker of interest are head covers, which are of close similarity among the seventeen heads. They suggest tanned pliable leather “helmets” with the knot holding them on the back of the head. Most heads have large earplugs inserted into the earlobes. Remains of white plaster and, occasionally, a reddish substance that could be iron oxide, suggest that they were perhaps brightly decorated (Diehl, 2004:112). The “helmets” fit tightly on the skull and are adorned with symbolic elements. Among those are bird heads or feet on SL2, 5, 10 and on LV1 and 4. Feline claws on SL7, ropes on SL3, 4, 6 and 9. Cut heads and hands are on SL.7 and 8, together with other emblems or badges. As noted, the mark for large stone heads are the eyes. The two oldest heads with “biased” eyes (SL7 and SL8), are dated 1400-1200 BC. Almond shaped eyes, such as SL6, are common in the period 1200-1000 BC, while both eye shapes co-existed in later times. We do not know when the carving of colossal heads began or if the custom lasted fifty, a hundred years, or more.

It seems, as Diehl observes, that the display of colossal heads may have been short lived, lasting only fifty to a hundred years (2004). We do know, however, that the heads at San Lorenzo were buried before 900 BC, but we have no proof to support the chronology for heads from La Venta and Tres Zapotes because they were moved after discovery from their archaeological context. The archaeological record also uncovered heads carved from wood that preceded those made of stone. They were much smaller in size and were probably worshipped in families and in phratries. Since stones cannot be dated, plants, seeds and/or animal remains found in archaeological contexts were and still are used today in dating a process. Among notable vegetal remains in Olmec and later Mesoamerican cultures, is maize also called corn, which was widely cultivated before 3500 BC, and is still used as a daily staple. The plant we know as maize was domesticated from the wild Teosinte (Zea mais), a native plant of Mexico, nine thousand or more years before, and grew to the sizes we know today through time and human selection. Maize was unknown in other parts of the world and was introduced to Europe following Columbus’ travels to the New World in 1492. It did not become a major crop until the seventeenth century in France when it was used as an ornamental plant (Crosby, 1976, Bonavia, 2008). Maize reached Africa before Europe carried by Portuguese slave raiders in the early sixteenth century.

 

This article is Part One of Two.
Part Two will be published soon.

About the author:
Creative non-fiction writer, researcher and photographer, the author’s articles are about the history of the Americas before European arrival, their culture and beliefs. His articles are published online at travelthruhistory.com, ancient-origins.net and popular-archaeology.com, in the quarterly magazine Ancient American (ancientamerican.com), as well as in the U.K. at mexicolore.co.uk. The author is a fellow of the Institute of Maya Studies instituteofmayastudies.org Miami, FL and The Royal Geographical Society, London, U.K. rgs.org; as well as member in good standing of the Maya Exploration Center, Austin, TX mayaexploration.org, the Archaeological Institute of America, Boston, MA archaeological.org, the National Museum of the American Indian, Washington, DC. americanindian.si.edu, and the NFAA – Non-Fiction Authors Association nonfictionauthrosassociation.com.
Contact: Georges Fery – 5200 Keller Springs Road, Apt. 1511, Dallas, Texas 75248, (786) 501 9692 –gfery.43@gmail.com and www.georgefery.com

Photo credits:

  1. Head.1/SL1, San Lorenzo @georgefery.com
  2. Head.5/SL.5, San Lorenzo @MarcoPacheco, Raíces > @arqueomex.com
  3. Head.1/SL1 San Lorenzo @mexicounexplained.com
  4. Bayhon Temple, Angkor Thom @trip101.com
  5. Head.1/M,1 La Venta @ arblat.com
  6. Head.8/M.6L, San Lorenzo @georgefery.com

 

 

Tagged With: mexico attractions Filed Under: North America Travel

Exploring Tangolunda Bay in Huatulco, Mexico: A Complete Travel Guide

Buildings by the sea in Huatulco Mexico

The land of Mexico is famous for its tremendous natural places. It offers viewers a calm and pleasant experience. So, we are talking about natural destinations in Mexico, and at this moment, forgetting to discuss pleasant Mexico bays is a sin. Tangolunda Bay is among the top and most visited bay in Huatulco.

So, in this post, we will talk about this bay and will also allow you to choose a 5-star hotel to stay in Huatulco. For quick access, you can visit this URL (www.barcelo.com/en-ca/barcelo-huatulco/), but we will discuss it in detail below.

Tangolunda Bay | An Introduction

Huatulco, Mexico, owns nine famous bays, but Tangolunda Bay is unique and important. Its shape is like a crescent and contains verdant hillsides all around it. The golden color sand also makes its coastline more beautiful, which makes the sight more beautiful and amusing.

Its tranquil water makes it an ideal choice for most water-related activities, including paddleboarding and swimming. Further, it has a unique surrounding full of lush green forests like trees. It makes the view more exciting, and it seems like you are swimming in the Pacific Ocean. Further, there are many high-rated resorts available around it that allow you to enjoy this scenery for many days.

Activities and Adventures

Tangolunda Bay offers unique and personalized activities that you can do. In the case of divers, it offers them to dive with tropical marine creatures like tropical fishes. Despite this, if you are an adventurer, on the flip side, like sailing, it enables you to discover hidden coves. You can also enjoy boating tours while playing volleyball and relaxing at the beachside is also an available option. There are also many local markets near the coastline that you can roam around and enjoy.

Cultural Delights and Local Cuisine

Mexico is also famous for serving delicious dishes and showing a higher culture of itself. La Crucecita is the nearest town to Tangolunda Bay, which allows the audience to enjoy the cultural heritage of Huatulco, Mexico.

Here, you can also access all the delicious street foods while accessing 5-star, which is also an easy-to-do job.

Accommodation: Barceló Huatulco

We did thorough research to determine the most suitable accommodation, and we found Barceló Huatulco to be a reputed and trusted place that offers luxury and comfort. Every room of this hotel has a balcony that opens to the bay side. It allows you to feel the soothing air tides while enjoying the pleasant look of the bay. It is also easy to do a job in these rooms.

Further, it offers many other uncountable services, including spa treatments and swimming pools. Further, the dining rooms of this hotel are also very luxurious and will allow you to spend an unforgettable time here in beautiful bars and restaurants.

Things to Consider Before You Go

  • Weather: You must know the best weather conditions that will enhance the excitement of your tour. We recommend you set up your tour between November and April. These days, the weather remains dry, and you can enjoy your outdoor activities with fullness. Currency and Payments: Normally, you can use both credit cards and US dollars, but it is also recommended that you have some cash in their native currency.
  • Health and Safety: Tap water is never recommended to drink at Huatulco. Further, you must use sunscreen while enjoying outdoor activities. It will protect your skin from dehydration.
  • Local Customs: When it comes to wandering through their traditional events and places, it is recommended that they wear their traditional clothes. This will enhance their respect, and you will be honored greatly.

FAQs

When is the best time to visit Tangolunda Bay?

During the dry season that remains between November and April, you can visit this bay to enjoy all the activities it does. It is because you will not face rainfall while the weather remains sunny that urges you to do water-related activities.

What are the must-try dishes in Huatulco?

Fresh seafood dishes are the most demanding and must-try dishes, while tlayudas and mole are also very famous and delicious foods.

Are there direct flights to Huatulco?

Huatulco International Airport is the place where you will land. Now, you have to make sure that the airline from your city offers a ticket for this airport. This way, you can directly land in Huatulco.

What activities are available for families with children in Tangolunda Bay?

Beach volleyball and snorkeling are the most valued activities that are commonly accepted by families. Otherwise, you can also enjoy boating and diving with your family. In short, there are a lot of activities to do.

Is Tangolunda Bay suitable for scuba diving?

It has clear water and diverse marine life, both of which are basic requirements for scuba diving. So, you can enjoy scuba diving at Tangolunda Bay and can explore a lot as a beginner.

 

 

Tagged With: mexico attractions Filed Under: North America Travel

Palenque, Chiapas, Mexico Travel

Temple of Inscriptions pyramid in Palenque

The Great Maya Tombstone

by Georges Fery

by The iconography of the Maya tombstone in the Temple of the Inscriptions has raised more questions than well-founded answers. A close look at the tombstone, its setting and history, may help understand the Maya timeless message about life and death. The Temple is the final resting place of K’inich Janahb’ Pakal Ahaw, Lord of the B’aakal kingdom at Lakamha’, near today’s Palenque in Chiapas, Mexico, where he was born on March 13, 603. From the end of the fifth to the late ninth century, Lakamha’ was an important metropolis and a major regional player in politics, trade, and architecture. Pakal ruled the kingdom from 615 to 682, making him one of the longest-reigning Maya monarch in history.

As holy lord of the B’aakal kingdom, Pakal was supreme in secular and religious matters, superseding the high priest and priestess, for the prefix K’inich means Lord, while Ahaw connotes Holy. The Maya called their kings ch’ul ahaw or “lords of the life force,” for the universal power vested in them by the gods. He, and he alone, was anointed by the gods of the unifying forces of light of the Otherworld and those of darkness of the Underworld. In the Maya cosmology, these “worlds” were understood as “complementary opposites” for, paradoxically, both were in turn friendly and hostile over humans and nature. For these reasons, they needed to be pacified through rituals at dedicated times such as, among others, planting and harvesting and important communal milestones.

In the last decade of his life, Pakal and his architects worked on his funerary monument, the Temple of the Inscriptions facing the ancient city’s central plaza.

The temple is the most remarkable sanctuary ever built in Mesoamerica. The eight-level funerary pyramid, and the temple at its summit making up its ninth level, was designed by Pakal and his architects who started its construction around 675, when Pakal was seventy-two years old. The structure was completed about five years before his death on August 8, 683. The temple at its top was dedicated on December 23, 688, by his son and heir, K’inich K’an B’ahlam (635-702), in time for his father’s funeral. The stepped pyramid’s foundations reach over ten feet below the central plaza’s grounds. The structure was originally covered with plaster that may have been painted red, for remains of pigment were found; of note is the absence of carvings on its stones. The name Temple of the Inscriptions comes from three large limestone panels found on the walls of the temple’s front corridor. In the past, the stepped pyramid was known as “Temple of the Laws” because on those panels are 617-glyphs that narrate Pakal’s achievements and proclaim his place in eternity.

The six piers atop the pyramid are adorned with stucco scenes. As noted by scholars, “we may never know what Pakal intended to display on the piers, for K’an B’ahlam, who completed the temple after his father’s death, took this public location to show the rituals in which he became heir to the throne and proved his divine nature.” In ancient Maya cosmology “the pyramid replicates the “First-True-Mountain of the World Rising out of the Primordial Waters of Creation” (Schele, Matthews, 1993, 1998). The crypt, located in the deepest recess of the pyramid, is associated with caves perceived as portals to the water world for water is integral to the belief in the beginning of life in Maya cosmology where the “Otherworld” points to a mythic world “above” the human plane, abode of the sun, beneficent gods, and life. Its opposite, the “Underworld” or world “below” is associated with sunset, the moon, malevolent gods, and death. The world of the living, between these two man-made worlds, is the “Middle World.” As Bassie-Sweet point out, “One of the most important structuring principles in Maya worldview was complementary or contrasting opposites, such as male/female, right/left, east/west, day/night, up/down or north/south” (2008).

stairs in Palenque pyramid

To build the pyramid, not only did architects, master stonemasons and carvers answered Pakal’s architectural requirements, they also followed a sacred allegorical pattern that was beyond their professional expertise, helped in their tasks by calendar priests, knowledge keepers and wizards. For the burial ceremony, Pakal and his chu’lel – his “divine life force” or “blessed substance of the living universe” – were first brought from the palace up the pyramid’s front stairs. The stairs of the pyramid follow, as does the pyramid’s architecture, the four sacred directions of the Maya equilateral cross, the wacah chan or “world tree.” Each arm of the cross is associated with colors, deities, and functions. The pyramid faces northward onto Palenque’s main plaza. Climbing the stairway up to the temple, Pakal and his retinue faced South>yellow-K’an Xib’Chac, germ of life, origin of the winds). After prayers, rituals, and invocations in the temple, Pakal’s body and his chu’lel’ were carried down the three sets of the intramural stairways leading down to the crypt. The first flight of stairs followed the path of the Sun, so Pakal and his retinue walked down heading East>redChac Xib’Chac, sunrise, dawn. At mid-level, the second set of stairs sharply turns West>black-Ek Xib’Chac, sunset, dusk. Pakal’s last short five steps stairway into the crypt led him North>white–Zac Xib’Chac, resting place of the winds.

When Pakal was placed in his coffin his head pointing north, he transitioned from a divine king to a celestial ancestor. As the last rituals and invocations were completed, the crypt’s massive triangular stone door was closed. In his coffin, however, Pakal was never far from the living and, for this purpose, had a narrow conduit called the Tz’at Nakan, or “Serpent of the Wise Ones,” built to fit the stairwells. It was called a psychoduct by the renowned Mexican archaeologist Alberto Ruz Lhuillier (1906-1979), who discovered the stairwells in 1950 and the crypt in 1952. The serpent’s head is made of a mix of limestone plaster and was attached to the bottom of the sarcophagus which connected with the “psychoduct,” a rectangular limestone molding outside the door, matching each stair with a hollow round tube-like center that ended below the floor of the temple. It was the Tzat Nakan, through which Pakal and the priests established soul-to-soul contact, not soul-to-mind, at dedicated times. This feature is found in other structures at Palenque such as in Temples XIII and XVIII, albeit not so elaborate.

They each have a tube-like conduit that runs vertically from the crypt to below the temple floor, and a small hole on the sarcophagus lid was drilled at the level of the face to let the ch’ulel’ pass. These funnels bolstered the belief that the individual in the grave was still socially alive after death, with prerogatives attached to his spiritual powers, for ch’ulel’ never dies. It was then accepted, as it is today in most beliefs and religions, that a person has a body, and a soul. It was, however, the deified chu’lel’ that was the object of veneration. Upon death, while the body’s soft tissues decayed, its chu’lel remained within the skeletal bones for the duration of the person’s past life and was then reunited with the ancestors to be assigned to another life.

Upon discovering the stairwell and after removing the stones and debris from the intramural stairways, Alberto Ruz’s team reached the level of the sanctuary.

triangular door in pyramid

A massive triangular limestone door – seven and a half feet high, five feet wide at the base and eight inches thick – sealed the entrance to the crypt. There is no similar triangular door in Palenque or elsewhere in Mesoamerica. Facing the triangular limestone door, on the right side of the landing of the second flight of stairs, Ruz found the remains of five persons who had been sacrificed. They were dismembered to fit in a narrow stone box and were covered with cinnabar, a red mercury sulfide powder. Pakal’s so-called “companions” were sacrificed to serve their lord’s chu’lel’ in the afterlife with their own. Three of them were identified as “two males and one female in their late teens or early twenties; the other two could not be sexed due to the deterioration of the remains” (Tiesler, Cucina, 2006).

Opening the door became a laborious task to avoid damaging it. Ruz and his team eventually entered the twenty-by-thirteen-foot sanctuary and were stunned by the magnificence of the shrine. The massive monolithic twelve-to-fifteen-ton sarcophagus is ten feet long, seven feet wide and three-and-a-half-feet high. It was carved from a nearby limestone hill and took most of the crypt’s space. Because of its size and that of the monolithic tombstone, they were set in place together before the pyramid was built over the sanctuary. The sarcophagus rest on six carved square limestone blocks that raises it over a foot above the crypt’s floor made of large, quadrangular, finely leveled stones.

the crypt inside the pyramid

The rectangular finely carved tombstone was smeared with cinnabar, a red mercury sulfide powder, associated with blood, the ultimate stream of life, also used to ward off malevolent forces. What struck all present was the exquisitely carved tombstone, unique in the Americas for its breathtaking iconography. The tombstone is twelve-and-a half-feet long, seven-and-a half-feet wide and ten inches thick and overlaps the sarcophagus by fifteen-and-half inches on the north and south sides; the overlap is only two inches on both its long sides” (Alberto Ruz, 1973).

The archaeologists’ challenging task was to carefully slide the tombstone on an abutment originally built on the north side of the sarcophagus. The tombstone two northern corners were damaged probably during the transfer from the quarry to the sanctuary, before the pyramid was built; one of the corners was recovered below the sarcophagus. The coffin was carved into the sarcophagus in the shape of a fish, a reminder of the primordial sea from where all life forms came and was finely polished inside. It is six-and-a-half-feet long, one-and-three quarter-feet wide, and fourteen-and-a-half inches deep. A limestone cover, four inches thick, in the same shape as the opening fitted with stone plugs in its four corners, sealed the coffin. Upon lifting the cover, Ruz and his team came face-to-face with K’inich Janahb’ Pakal. The Lord of Lakamha’ was found lying on his back with arms extended on his sides and was fully dressed at the time of burial. The remains and the inside walls of the coffin were covered with cinnabar.

In Classic Maya imagery, the Maize God wore a net skirt and a profusion of jade ornaments like those found in the coffin. Pakal adornments were of fine green jade which were carefully recorded by the archaeologists. They included bracelets with semi-round beads akin to corn kernels, necklaces, rings on each of Pakal fingers, belts, ear flares, cylinder hair ornaments, a diadem made of forty-one jade disks, headbands and belts worn by Palenque’s ruling elite” (Stuart and Stuart, 2008).

Jade death mask of Pakal

Small jade figurines of deities such as Sak’Hunal the “jester god” oldest symbol of kingship, and other objects made of semi-precious stones and nacre from spondylus shells (Spondylus americanus) were placed on Pakal’s sides. A small jade figurine was found over Pakal’s groin, which may represent the maize god Hun’Nal Ye from the myth of creation. Among Pakal’s outstanding ornaments is his death mask, made of a mosaic of thin jade plaques. Its unique characteristic, according to Ruz’s report, is that “the mask was modeled directly over Pakal’s face, for a layer of stucco was found adhering to the bones of the skull.” Does that suggest a secondary and not a primary burial? The mask was believed to overcome the body’s natural degradation and as noted by Ruz, “may have been to personify…and ensure the departed an eternal face in its grave” (1972). The eyes of the mask are made of nacre, the iris is of obsidian, while black paint was applied for the pupils. Around Pakal’s neck was a huge collar made of hundreds of jade cylinders and beads. The beads were cut to resemble squash, a plant grown together with maize and, according to legend, brought into the world by Hun’Nal Ye, the maize god.

Of note is a jade ornament consisting of the Maya logogram Ik, in the shape of the capital letter I, which signifies “spirit,” “life,” or “breath.” The ornament was placed in the slightly open mouth of the jade mask. The Ik symbol, in the shape of either a capital T or I, is found on walls, stelas, and painted on ceramics. The architectural design of ballcourts, where games of life and death took place, also answer to the shape of this logogram. Before the Ik symbol and the death mask were placed over Pakal’s face, it is probable that koyem, a cooked maize paste traditionally used and found in common graves, was put into his mouth to feed his ch’ulel’s long voyage to Xibalba, the “place of awe” the Underworld. Xibalba answers to the complementary fields and is associated to the beginning and end of life and the power of nature.

For in darkness seeds bid their time underground to sprout and meet the light of the sun. Human life is not foreign to this cycle, for life that begins in the darkness of the womb, past its time, returns to the grave. The tombstone above all, is “an essential statement of dynastic vitality and continuity that was necessary following the death of an exceptionally long-lived king” (Scherer, 2012).

 

The above is part one of a two-part series. Read part two here.

 

All photos by Georges Fery:

  1. Temple of the Inscriptions, Palenque
  2. The first flight of stairs
  3. The triangular door
  4. The crypt
  5. Pakal’s jade death mask

 

References – Further Reading:
Alberto Ruz Lhuillier, 2013 – El Templo de las Inscripciones: Palenque
Vera Tiesler, Andrea Cucina, 2006 – Janaab’ Pakal of Palenque
Freidel, L. Schele, J. Parker, 1993 – Maya Cosmo, Three Thousand Years on the Shaman’s Path
Barbara Tedlock, 1982 – Time and the Highland Maya
Méndez Martinez, E. Valey Sis – Asociación Maya Uk’Ux B’e, 2008 – Cosmocimientos y Practicas Mayas Antiguas
Teilhard de Chardin, 1964 – La Grande Illusion
Patricia A. McAnany, 1995 – Living with the Ancestors
Jacques Cauvin, 1994 – Naissance des Divinités, Naissance de l’Agriculture
de la Garza, G. Bernal Romero, M. Cuevas Garcia, 2012 – Palenque-Lakamha’: Una Presencia Inmortal del Pasado Indígena
Fernando Nuñez, 2012 – Las Sepulturas de Palenque
Denis Fustel de Coulanges, 1864 – La Cité Antique
Linda Schele, Peter Mathews, 1998 – The Code of Kings

About the author:
Creative non-fiction writer, researcher and photographer, Georges Fery (georgefery.com) addresses topics, from history, culture, and beliefs to daily living of ancient and today’s communities of Mesoamerica and South America. His articles are published online at travelthruhistory.com, ancient-origins.net and popular-archaeology.com, in the quarterly magazine Ancient American (ancientamerican.com), as well as in the U.K. at mexicolore.co.uk. The author is a fellow of the Institute of Maya Studies instituteofmayastudies.org Miami, FL and The Royal Geographical Society, London, U.K. rgs.org. As well as member in good standing of the Maya Exploration Center, Austin, TX mayaexploration.org, the Archaeological Institute of America, Boston, MA archaeological.org, the National Museum of the American Indian, Washington, DC. americanindian.si.edu, and the NFAA – Non-Fiction Authors Association nonfictionauthrosassociation.com.

Contact: Georges Fery – 5200 Keller Springs Road, Apt. 1511, Dallas, Texas 75248
(786) 501 9692 –gfery.43@gmail.com and www.georgefery.com

 

Tagged With: mexico attractions, palenque Filed Under: North America Travel

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