
Oahu is the third largest of the Hawaiian Islands and it is colloquially known as The Gathering Place. Honolulu, the state capital, is located on the island. As well as for Honolulu, this island is famous for its beautiful volcanic scenery and vibrant cultural heritage. Many holidaymakers keen for a taste of the aloha spirit travel to Oahu. The island is awash with things to do and experience. Here is a very brief guide to some of the best things to get up to during a stay on the famous Gathering Place Island.
A Trip To Hanauma Bay
No trip to Hawaii would be complete without a trip to one of the archipelago’s famous pristine beaches. Pacific island beaches are famous for their crystalline white sand and azure blue waters. Hanauma Bay is one of the best beaches in the world. A cove formed by an ancient volcanic cone, the bay contains a reef that houses a complex marine ecosystem. This ecosystem is now protected as part of a natural park.
The bay was the favorite fishing and recreation ground for the short lived Hawaiian royal line. Visitors need to take care not to damage the wildlife. In particular, they should refrain from going near the beautiful sea turtles that call the bay home. A day of snorkeling is recommended if you want to see the reef yourself. In an effort to preserve the beach, the local wildlife conservation group has instigated a new reservation system. You need to book in advance to enter this unforgettable zone.
Waikiki Aquarium
If you are spending your stay at one of the many Waikiki beach hotels, you should make some time to visit the area’s amazing aquarium. The Waikiki aquarium is the second oldest in the United States.
The aquarium is dedicated to the sea life surrounding Hawaii, which is famously abundant. It contains 3500 marine animals, all of which are to be found around the island. Reef sharks, monk seals and seahorses are amongst the most popular creatures housed in this historical sea zoo.
The Polynesian Cultural Center
Polynesian culture is integral to Hawaiian life. The islands were first inhabited by Polynesian travelers from Fiji, Tonga and Samoa in ancient times. Traditionally, Hawaiians have attributed the discovery of the archipelago to the legendary fisherman Hawai’iloa. Polynesian culture evolved and became unique on the islands, and Hawaiian culture is completely distinct from other forms of Polynesian heritage. The Polynesian cultural center is a sprawling 42-acre complex that gives visitors the opportunity to experience Hawaiian culture first hand through demonstrations and activities.
Visitors can experience a Luau, eat traditional foods and can learn about the seafaring story of the pacific island peoples.
Lyon Arboretum
The Lyon Arboretum is a 200-acre rainforest environment maintained by the University of Hawaii – primarily for research purposes. It contains over 15,000 kinds of trees, many of which are extremely important to the ecosystem of the island archipelago.
Photo Credit: Polynesian Cultural Center – Canoe Pageant by Daniel Ramirez from Honolulu, USA, CC BY 2.0, via Wikimedia Commons














Rituals in ancient communities followed the agrarian cycles under the auspices of their respective deities. The first sanctuaries were built for these mediators between the world at large (nature) and humankind (culture), because culture could not, on its own, control nature. Priest-shamans had to ensure the accuracy of the sun (K’inich Ahau, the sun-faced lord), which never failed to reappear at the exact same place, day after day, solstice after solstice, equinox after equinox. Priest-shamans were helped in their tasks by supplication and invocation rituals during which they addressed the deities of the vegetal world and the powerful god of rain.
And so were the seven dolls, which were ritually “planted” by priest-shamans down a duct three feet deep, dug into the floor at the center of the temple’s altar. Bates Littlehales rendering (1959, in Andrews.1980) depicts the re-enactment of the ceremony of the seven dolls that took place during the Decadent Period’s Chechem Phase (1200-1500). The climate record for the Yucatán shows that this ceremony took place within the time frame of recurrent droughts.
The disparity in gender, however, is puzzling and leads to the question: why six females and one male? Why not four and three, or other mix? Since there is no satisfactory answer from scholars, the next step was to ask respected local shamans (h’men) if they had any opinion on the gender disparity. One remarked, “one male and a number females in age of reproduction would secure the group’s survival, while conversely, one female among any number of males, would warrant its extinction” (2020). A stern observation that may be grounded in the survival of our species’ long lost past.
Scattering rituals were coincident with climatic stress during periods of decreased rain or drought. Is there a correlation between these age-old rituals and the figurines? Probably, because there is no other rationale for the priest-shamans to literally “plant” these deformed crudely made figurines below the floor of the temple’s altar. Their association with nature is symbolically linked with the roots of plants synonymous with the roots of life, for the figurines were made to never been seen. Furthermore, the scattering of human seeds was still practiced by farmers during the late nineteenth century in parts of the Americas. It was believed to periodically reaffirm a common law of the “right of blood” for farmstead inherited from ancestors, as opposed to the “right of land” claimed by invaders.
The cenote was the focus of rituals, as attested by more than 3,000 broken ceramic and water jars found at its bottom, together with portions of at least eight human skeletons and animal bones. Its waters were used for both daily needs and rituals that did not involve human or animal sacrifice. The few human remains found, therefore, were probably due to people that drowned while collecting water. Surface and underground cenotes are mirrors of two worlds, understood as the home of Cha’ak “patron of agriculture and one of the oldest continuously worshipped god of ancient Mesoamerica” (Miller+Taube, 1993). “Xlacah represent the center of Dzibilchaltún’s agrarian universe, its pivotal axis” (Lothrop, 1952, Tozzer, 1957). The powerful god of rain, lightning, and thunder was the master of life and fear, because should rain fail, the life giving maize harvest (corn-Zea mays subsp.) would wither, and lead to hunger, conflict and death. The Mayans have a deep reverence for maize for, in their mythology, the gods created them out of maize dough. It therefore is not only their main staple and daily sustenance, it is associated with their very existence, their soul.
Architecturally similar to Str.1-sub, Str.66 is radially symmetrical and is located at the western end of sacbe.2. However, it has not been restored, hence the limited information on both structure and remains. The similarity with the Seven Dolls complex, however, is striking and extends to Str.63 with a four-stairway/six-steps quadrangular platform and an eleven-foot limestone monolith, Stela.21, located 145 feet east of Str.66’s plaza, and built squarely on sacbe.2. Like Stela.3 to the east, Stela.21 was covered with stucco and painted with figures of the Maya pantheon, now lost to time. Andrews refers to Str.66 as “a mirror image of the Seven Dolls group” (1961), dedicated to the moon, counterpart to Str.1-sub, which was dedicated to the sun. Like the Temple of the Seven Dolls, it also had its access restricted by Str.64 and Str.65 which were built across its plaza.




