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“Indiana Jones” and the Lost Kingdom of the Submerged Crocodile

Jaguar temple, Lamanai, Belize

Lamanai, Belize

by Troy Herrick 

Get ready for your own “Indiana Jones-type” of adventure with a visit to the Mayan city of Lamanai whose name translates as “Submerged Crocodile”. Not only is a visit to this archeological site worthwhile but the journey there is as much of an adventure as the destination itself. This city is so far off-the-beaten-track in Northern Belize that the Maya actually inhabited the site well into the 19th century with minimal European incursion. Unlike many other Mayan cities which were abandoned in the 9th Century CE, Lamanai was continuously occupied for almost 33 centuries because of its reliable water supply. The city was only abandoned after a series of epidemics depleted the local population.

boat on riverYour journey into the unknown begins in “touristy” San Pedro on Ambergris Caye when you travel by boat (skiff) to the village on Bomba on the Old River. Your skiff brings you into the red mangroves where the river meets the sea. The captain effortlessly races through the narrow bends in the river. Perspiration drips off your face but not from fear. It is the humidity from the nearby jungle. Suddenly he cuts the throttle and you glide to a halt on top of the turquoise water so that he can point out the local flora and fauna. Snake Cactus parasitically grows on the trees; gray bats hang from the underside of a long dead tree trunk; and a big gray blob is actually a termite nest.

Approximately an hour after departure, you arrive at the Creole village of Bomba where you can catch your breath for a few minutes and seek out that perfect handcrafted souvenir before your bus whisks you to away on the next leg of your journey to the village of Shipyard on the New River. Your bumpy route snakes along what was once the old Pan American Highway in the 1950s; it has since been re-routed.

dock at LamanaiArriving at Shipyard, you again board a skiff and race along the New River to Lamanai. This time the captain stops the boat to point out several Spider Monkeys swinging through the trees. They streak so quickly through the foliage that you might have difficulty making out these dark brown figures with their characteristic white chests. Further down the river you might come across a “herd” of young Mennonites fishing at the water’s edge. They compete for the fish with several Great Blue Herons situated a short distance away. You may also spy the black and brown Jacana bird effortlessly moving across the green sheet of lily pads extending out from the river’s edge. Also known as the “Jesus Christ bird”, it seemingly walks on water.

What we did not see along the way was a crocodile, although Diane and the captain did hear a sudden splash which indicated that we were being studied by one. We kept our arms inside the boat just in case as we did not want to become some crocodile’s lunch.

After the 26 mile journey from Bomba, your skiff effortlessly glides into the docks at the edge of the New River Lagoon where a thick forest canopy and ground cover hides the remnants of over 700 buildings from view. Less than 5% of these structures have been excavated to date.

What is your first order of business upon landing? You renew your strength over lunch before embarking on your march through the jungle; your tour includes a delicious meal of red beans and rice, fried chicken, cole slaw, fried plantain, potato salad with a beer or soft drink chaser. After eating, you meet your tour guide and begin your archeological adventure.

Jaguar templeYou trek through the steamy jungle toward the Jaguar Temple which dates to 625 CE. Suddenly the thick mass of foliage opens out and you find yourself staring into the eyes a block-like jaguar face protruding from the side of the temple. You may require a few moments to get the gestalt outline of this mask. This step pyramid has nine tiers and rises to 65 feet in height. But looks are deceiving in that part of this temple remains covered by soil and foliage so you cannot appreciate its true height. This temple is a solid structure with no chambers or tunnels inside.

The Jaguar Temple dominates a neighborhood of residential buildings known as the Royal Complex. A typical home for the Mayan upper class is a narrow room with tall thick walls covered by a thatched roof. This room also features a flat limestone plastered bed and a door that opens out into a central plaza.

After seeing what appears to be more like jail cell dimensions, you may be surprised to find out that the elite class was approximately 5 feet 7 inches tall while the lower class, which lived outside the Royal Complex, was approximately 4 feet 2 inches tall. The skeletons of the latter had developed bending fractures over time because of transporting stones from a quarry that is over a mile away to the building site. They transferred these blocks using bands that were tied around their forehead. The bending fractures appeared to be genetic because their babies were born with them as well.

The king, who was worshipped as a living god, controlled the religious and political activities within the city. The deeds of these Mayan kings were often recorded on limestone stelae. Stela 9 in Lamanai, erected in 625 CE, commemorates King Smoking Shell whose image is dressed in a rattlesnake headdress with quetzal feathers at the back; he holds a double-headed serpent bar diagonally across his body. An inscription on the stela indicates that this king was descended from the Sacred Crocodile.

Carved stone stelaOnly royalty and members of the elite class were permitted to climb to the summit of a temple. When you arrive at the High Temple, dating to 100 BCE, you can follow in their footsteps up the side of this steep structure to speak with the gods. Even though you take carefully calculated steps, your legs will still feel like lead weights by the time you reach the top of this temple as each individual stair is an uncomfortable two feet high. Other Mayan cities like Chichen Itza, Copan and Tikal for example have significantly lower individual steps but steeper stairways up the side of their pyramids, which only goes to prove that there is no standard Mayan temple design. In any event, if you weren’t drenched in perspiration before you begin your ascent, you will be by the time you reach the top. Bring a bottle of water when you climb in order to clear your parched throat because you are going to need it.

At the summit of the High Temple, you have a beautiful panoramic view of the nearby river over the jungle canopy from a height of 112 feet. You might also catch a glimpse of your next destination – the ball court – where the Mayan national past time of Pok-Ta-Pok is played. Given the number of Mayan cities in Central America, it is not known if there was a Pok-Ta-Pok league similar to our modern baseball, football and basketball leagues; but if there was, the teams would have been depleted over time because the losing team was ritually sacrificed after the game. One additional complication was that each city had its own rules for how the game was played, so the home team likely would have always had the advantage.

ball courtWork your way down the tall steps of the High Temple and refresh yourself with some more water when you reach the bottom before marching on to one of the smallest ball courts in the Mayan world. You might have some difficulty determining what the target was that the players were aiming to hit with the 12 lb solid rubber ball in order to score. Ball courts in other Mayan cities have utilized rings or even stone parrot heads. Players were only allowed to keep the ball in play with their hips, knees, waist and elbows.

Imagine that your tour group is the winning team and clamour through the ball court to your final destination known as the Mask Temple. The Mask Temple is named for the two 13 foot high carved limestone masks straddling the first level. Both masks are identical and feature the same upturned lip and broad nose. Each is decorated with a crocodile-mouth headdress. You will know that you are dehydrated if you find that these two faces are speaking to you.

Set deep within the Mask Temple are two tombs dating to the 6th century CE. The first held a man whose remains were adorned with shell and jade jewelry. The second tomb housed a woman who was not described in any detail. It is not known how they were related – possibly a king and queen. I was unable to find any reference that outlines the height of this temple but I estimate that it is about 57 feet tall.

If time permits, you can conclude your archeological adventure with a quick study of the artifacts housed in the small on-site museum to gain a better understanding of the city’s history. Here you find pottery, stelae fragments, jade jewelry and obsidian tools that were all excavated from the site. While obsidian and jade might not seem unusual to you, neither of these materials is found locally. The two materials were acquired by means of long distance trade. The nearest source of jade is the Montagua Valley in Guatemala.

Exiting the museum, your guide herds you back into your skiff for the return trip down river to Bomba. Again watch out for submerged crocodiles and remember to keep your arms inside the boat.


Lamanai Maya Temple and Baboon Encounter from Belize City – PRIVATE

If You Go:

Tours to Lamanai can be arranged through your hotel/resort in San Pedro. You can also arrange a tour leaving from Belize City as well. You are permitted to climb all the temples at Lamanai.

Belize Tourism Information


Belize New River Cruise and Lamanai Maya Ruins Day Trip by Air from Ambergris Caye

About the author:
Troy Herrick, a freelance travel writer, has traveled extensively in North America, the Caribbean, Europe and parts of South America. His articles have appeared in Live Life Travel, International Living, Offbeat Travel and Travel Thru History Magazines.

 

Photo credits:
All photos are by Diane Gagnon, a freelance photographer who has traveled extensively in North America, the Caribbean, Europe and parts of South America. Her photographs have accompanied Troy Herrick’s articles in Live Life Travel, Offbeat Travel and Travel Thru History Magazines.

 

Tagged With: Belize travel, Lamanai attractions Filed Under: Central America Travel

Belize: The Cave of the Crystal Maiden

Group of visitors wading through a river in Belize

by Lee Beavington

“You’re young enough to be my grandson,” Phyllis confides to me as our van plows through muddied water of the washed out dirt road. Phyllis frowns. “I don’t like caves, and I’m not a good swimmer.”

Was she not deterred by whip scorpions, skeletons, and photos of tourists swimming in a murky mausoleum? Nevertheless, I promise to stay close, equally blind to the path ahead that will harm both body and spirit.

In the potholed parking lot, rain pelts us as we don our plastic hardhats. I am the lone Canadian in a group of older Americans. A two-minute trail takes us to Roaring River. Swift riffles heaving from the cloudburst betray a deadly undercurrent. There is no bridge.

“Our first crossing,” Oscar, our guide, mundanely informs us. “There will be six total.”

I am stunned. This wasn’t in the brochure.

Phyllis, hands on her itty bitty hips, is stupefied. “How deep?”

“To my waist,” Oscar says. He is a robust man, our drill sergeant, a Belizean Rambo with a potbelly emerging through his mesh shirt.

“What!” Phyllis exclaims. “My neck barely reaches your waist.”

Oscar takes her hand curtly, and she unwillingly braves the current.

I fall in behind everyone else, the good soldier. Our first crossing is slow but safe.

The river meanders across our path a second and then a third time. Oscar, impatient at our sluggish pace, reaches the far shore just as my foot enters the current. Phyllis asks me to carry her bag, as she and I trudge over slippery, algae-covered rocks. About two-thirds across, water tugging at my thighs, I hear a splash to my right. Phyllis is down, and thrashing downriver. I thrust my legs toward her, trip on submerged bedrock but manage to keep my balance and our collective bags dry, and clutch the toes of her flailing foot. I brace myself against the rush of the river.

She stretches out a frail hand, but my ten fingers are occupied. I look from her foot to her hand, practice the switch with my eyes, then release toes and lunge to fingers. “If it weren’t for you,” she remarks afterward, “I’d be halfway to the ocean.”

The constant deluge seems suitably adventurous, though others grumble. Amidst wild jungle, a short trek past abandoned termite mounds, lay a row of palapa-roofed picnic tables. Lunch time. My veggie sandwich is a bit dry, but the fried plantains are delish. Oscar advises us to empty our bladders, as we will spend hours in the dark before reaching today’s highlight: the cave of the crystal maiden.

He attaches headlamps to our plastic hardhats, then buries our socks and cameras in his dry bag. “Today, safety is priority,” he barks. “Therefore, I am the boss! Inside the cave, we must pass directions from one person to the next.”

Actun Tunichil Muknal, the Cave of the Stone Sepulchre

entrance to ATM cave

Actun Tunichil Muknal, the Cave of the Stone Sepulchre, in reference to old spirits and skeletal corpses, ranks as the top Belize attraction. Except for one added Home Depot ladder, the ATM cave has changed little since the reign of the ancient Mayans, who ventured within this holy quietus to perform bloody rite and ritual.

The cave entrance opens before us like jaws of the Earth, the river its liquid tongue. My wife, Jenn, opted out with this reason: “I think you’ll enjoy yourself more if I’m not there.” Oscar hefts his leak-proof bag of tourist socks and digital cameras. “Here, we swim. Keep your heads up! The headlamps are not waterproof.”

“Just like Goonies,” someone remarks. One-by-one we waddle onto a slick slab of rock, jump like tentative ducklings into a pool of sapphire, then doggie paddle into the humid darkness. Our headlamps cast meagre light in this underworld of quartz walls and monstrous stalactites. Oscar commands something I can’t hear. I have again chosen to be last–for others’ safety, and to linger amongst these geological marvels, carved by river and rainwater over 100,000 years.

“Sharp rocks to the right,” the guy ahead relays.

The farther we explore along sheets of flowstone and climbing bulbous stalagmites, the more the guy ahead decides to be a smart ass.

“Wet area ahead!” he indicates with a sweep of his hand.

“Thanks,” I mutter, tiptoeing through nipple-high water.

the author in cave wearing hard hatWe stop in the heavy, nocturnal stillness. Oscar helps Phyllis scramble up a steep staircase of boulders, while I ponder this sacred, once-hidden world of shadow and sacrifice. I clamber up to the main chamber, known as The Cathedral, whose genesis is a flat rock shelf.

“Shoes off! Socks on!” Oscar orders. This no socks, no service policy keeps our skin oils off the sacramental stone. He hands us our cameras. Someone complains that the humidity has fogged up his lens. I look up. My headlamp reveals an angry spirit, a mystic shapeshifter that dances before my roving eyes. Perhaps this is a guardian. I blink, and the ephemeral spirit crumbles into mist. Am I guest here, or trespasser?

I tug on dry socks, twist through a narrow passage, scraping spine and knee, and enter The Cathedral.

I am familiar with the word cavern: a large, dark, underground chamber. I have spelunked the lava caves of Iceland and meditated in Sri Lanka’s golden cave temple of Dambulla where elaborate murals colour every surface. Neither truly deserve the word cavern.

flowstone inside caveHere, in this football-sized field enclosed by limestone, magnificent columns stretch from floor to ceiling like something from Lord of the Rings, while immense drip curtains of sensuous stone put Picasso to shame. We have stepped into the divine. Miracles dangle above in the form of elegant rock draperies and soda straw stalactites. My dim light cannot fully illuminate these vast mysteries sculpted by the collaborative hands of water and erosion. Sunless rock is the canvas, single drops of limestone-laced water the artist. Many shapes remind me of candle wax, huge rivulets that flow, snake and coil into countless latent architectures. Entrancing, but Oscar hastens us deeper into The Cathedral.

We are not alone. This is a place of pious ritual and bloodthirsty deities. I take delicate steps in my wool socks. The path is well-trodden. We pass 1,300 year-old ceramic bowls used in sacrificial ceremonies, many with kill holes to allow the spirit to escape. Most are shattered. “Tourists stepped on them,” Oscar says, matter-of-fact.

Oscar points to a rocky outcrop that juts upward like the head of an old crone. “Ixchel, the jaguar goddess of medicine and midwifery.” With his flashlight, he spots her flat head. Shadows flicker behind, dancing the goddess to life, much like the Mayans witnessed by torchlight. A nightmarish effect.

Mayan pottery and skeletal remainsEighteen corpses were found in The Cathedral, including children. Oscar stops at a site outlined by red tape on the floor, a pathetic barrier to tourist stupidity.

We pass other groups, some much larger than ours. I feel irritated. Irritated by the careless step of the tourist. Irritated by the guy who looks bored and checks his watch. Here we stand, deep in the jungle, inside a certifiable cavern that took ten millennia to form, and someone yawns. Perhaps they are uncomfortable. I want to shake them, bring them to the aliveness and privilege of being here.

I am irritated with myself. I paid for this. I might trail behind, to pretend I don’t belong, but I cannot escape the tourist herd.

The end nears. The Home Depot ladder helps us ascend a tricky slope.

“This is the highlight,” Oscar reminds us. He leads us past a set of jumbled bones—many cracked by fickle feet—to another, complete skeleton.

“The crystal maiden.”

Her bones shine like diamond-coated ivory, limbs spread-eagled, pelvic girdle protruding the highest. “She was 17 to 21 years old. Likely a sacrifice.”

skeleton of She lies there, just past a small rope that would not be out of place in the Smithsonian. In the dim light, her slender vertebrae embedded in the cave floor, I notice her white skull is tilted forward, her jaw arched in a frozen scream.

This is the main attraction. A girl sacrificed to the gods. Did she consider it an honour, or a terror?

Oscar’s face is inscrutable. He takes tourists here several times a week to gawk upon calcified remains of his ancestors.

Now, our time is up, escorted away to accommodate the next group’s corpse viewing. But I am not ready. I feel at odds as we retrace our steps, a kind of shameful sadness. I wanted an opportunity to pay my respects, to offer…thanks? Forgiveness? Clemency? Something.

At the entrance of The Cathedral, we slip our feet into soggy shoes and descend to the river tunnel that winds us out of the cave. The sky is a welcome window to colour and light, yet solemn cloud obscures the sun. We finish the remnants of our mediocre lunch and ford Roaring River thrice more.

On the road back to San Ignacio, the van is full of quiet and bedraggled rookie spelunkers. In my exhaustion, I question my part in this tale. Have I simply contributed another eighty dollars to Belize tourism, or have I pushed a sacrilegious tourist train one tie closer to being a wreck? I ponder the wonders of the day, the carvings of the river, the shadow of the goddess, and the tremendous art walling The Cathedral that bore witness to that girl’s final breath.

As we step out of the van, Phyllis calls after me. “Thanks again for saving my life!”

Browse Belize Tours Now Available

If You Go:

You can arrange this journey with Pacz Tours, which included guide, van ride to river, pack lunch and helmets with headlamps. There are, however, many tour operators that run out of San Ignacio. Do your best to ensure that they are licensed to conduct tours inside the cave.

Expect to pay upwards of $200 US a person, and to hike, swim, and climb slippery surfaces. But don’t expect to be able to bring your camera into the cave. A recent tourist incident (in a long line of such incidents) resulted in a dropped camera crushing an ancient skull inside The Cathedral.

Good physical condition is required for the river crossings and scrambling up steep rock in the cave darkness. The claustrophobic, arachnophobic, and anyone wary of tight spaces should opt-out. That being said, if a 70-plus grandma can spelunk these caves, then those of determined heart might just make it!

About the author:
Lee Beavington is an intentional author, educator, ecologist, photographer and traveller in search of truth, creativity, and conversations that matter. He seeks simplicity, strives to be mindful, and listens for the song of the river and tree. He is a writer by need, not choice, from a conscientious and curious calling to put wonder into words. Lee writes fiction, nonfiction, and poetry, and is revising his first novel. Website: www.leebeavington.com

All photographs are by Lee Beavington:
Due to recent floods, the river crossings were more treacherous than usual.
The towering entrance to Actun Tunichil Muknal, leading to a vast network of river tunnels in the earth.
Lee Beavington inside the cave, complete with plastic hardhat and headlamp.
Magnificent flowstone was one of many geological marvels found inside the cave.
We had to wear socks inside The Cathedral, so as not to damage the ancient Mayan pottery and skeletal remains.
The crystal maiden, her calcified bones preserved for over 1,000 years.

 

Tagged With: Belilze travel, San Ignacio attractions Filed Under: Central America Travel

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