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Pioneer History Comes Alive at 5 Heritage Sites in Champoeg, Oregon

Pioneer Garden hop arch

by June Russell-Chamberlin

Willamette RiverIn 1861 Champoeg, Ore., was a bustling pioneer town. It enjoyed a prime location on the banks of the Willamette River, midway between the end of the Oregon Trail at Oregon City and Salem, capital of the newly minted state. Steam-powered sternwheelers plied the river; a ferry and stagecoach connected the town to nearby settlements and beyond. Like most pioneer towns, Champoeg (pronounced sham-POO-ee) boasted a livery stable, blacksmith and saloon, as well as three stores, a hotel, an Episcopal church and a bowling alley. The prosperous riverside town had a bright future — until it vanished in a single night.

On December 6, 1861, floodwaters rose nearly 47 feet, sweeping the buildings away and leaving little trace of Champoeg. Today the open meadows and shady groves of this peaceful riverside park give few hints to where the pioneer town once stood. Just 30 miles south of Portland, the townsite and nearby historic buildings are among five sites in the Champoeg State Heritage Area that play host to living history events and bring pioneer history to life.


Ghosts of Champoeg

The Pioneer Monument

Pioneer MonumentI like to start my visit at the Pioneer Monument, where it all began. Long before Champoeg became a town it was a meeting place where trails used by the Kalapuya people and fur trappers crossed the Willamette River. It was also where the Hudson’s Bay Company built their warehouse and granary and where, on May 2, 1843, roughly half the white male population of the Willamette Valley — 102 men — gathered to vote on whether to establish a provisional government. Both Britain and America laid claim to the Oregon Country, but neither had established a local governing body. With a margin of just two votes, the former fur trappers and settlers voted in favor of establishing a provisional government, setting Oregon on the road to U.S. statehood.

In 1901 a monument was erected in a shady riverside plaza on the spot where the vote took place. Many of the 52 names on the monument belong to the movers and shakers of their day. Their names grace counties, streets, parks and schools across the state. Among the names are those of legendary mountain man Joe Meek and his friend Robert Newell, who would sell lots in the town of Champoeg a year later.

This is also where living history reenactors host Founders Day in May and set up fur trapper encampments in spring and summer. On various visits, I’ve watched a black powder rifle salute, talked with a tinsmith and admired a wooden canoe beside the river. Special events bring the state’s pioneer history to life with demonstrations of pioneer craftsmanship and skills.

I often follow the path down the slope of the bank to the river. The trail hugs the riverbank, and though the river itself is mostly hidden behind the trees and brush, you can smell it — an earthy scent I always associate with willows and river mud. After about a quarter mile the trail rises, taking you to the top of the bank near the townsite of Champoeg.

The Champoeg Townsite

street name on wooden postNewell, an American, and French-Canadian André Longtain platted the town of Champoeg in 72 blocks across their respective land claims. Each named the streets after his country’s heroes. The streets on Newell’s side of town have names such as Washington, Jefferson and Monroe. On Longtain’s side the streets are named after Lasalle, Orleans, Lafayette and other Frenchmen. Today, five-foot-high wooden posts engraved with street names mark the corner of each block.

Simple line-drawn maps of the lost town are available at the park visitor’s center. Towering black walnut and oak trees shelter Napoleon Street, the imprint of which is still visible beneath the grass. It leads down to the river, where a roughly cleared, 40-foot dirt slope shows where the ferry docked and sternwheelers came calling, bringing mail, travelers and goods to Champoeg.

If you stand in the clearing, back to river and map in hand, you can visualize the layout of the town. There, on your left, would have been Edward Dupois’ stagecoach office and store; on the right, Robert Newell’s store. A block or so further along Napoleon Street on the left, beneath the trees, was the Masonic Hall. At the edge of the meadow near the corner of Jefferson Street and Degrasse Street stood the bowling alley and the hotel.

Today the former townsite is home to a variety of birds and plump, grey California ground squirrels, often spied bounding across the grass to their burrows. Families ride their bikes along the shady paved path that winds through the grassy streets. More than four miles of walking trails and bike paths connect the townsite to the park’s campground, the Pioneer Monument, Robert Newell’s house and other historic sites in the Heritage Area.

The Robert Newell House Museum

Robert Newell House MuseumOn a hill above the Champoeg townsite stands the white, two-story frame house that fur-trapper-turned-businessman Robert Newell built in 1852. It’s the centerpiece of the Newell Pioneer Village, which also includes the Pioneer Mothers Memorial Cabin, built in 1929; the Butteville Academy, a one-room schoolhouse and teacherage erected in 1859; and the Butteville Jail, which dates from 1848. The Newell Pioneer Village is owned by the Daughters of the American Revolution, which purchased the Newell house in 1952, restored it, and opened it to the public seven years later.

When the Willamette River’s floodwaters destroyed Champoeg, some of the townspeople found refuge with the Newell family, safe in their house on the hill. Today the house is preserved as a museum that showcases life in the mid-1800s with period furnishings throughout the house. The upstairs rooms hold a collection of evening gowns and accessories belonging to Oregon’s First Ladies (don’t miss the bullfrog purse), vintage quilts, spinning wheels and Native American artifacts. Costumed interpreters will guide you through the house, sharing the Newell family’s story and answering questions. They also provide programs for school groups from March through October. Newell Pioneer Village hosts dinners, teas, festivals and other special events throughout the year.

 The Manson Barn and Pioneer Garden

In 1862, Donald Manson salvaged timbers from the flood and built a barn for his homestead on the bluff near the Newell house. Today the homestead is gone, but the barn still stands. Located behind the visitor center, the barn and garden are used for education and living history programs. You’ll want to check the park’s calendar to learn when blacksmithing, woodworking, tinsmithing and other demonstrations of pioneer skills are being held at the barn.

The hops arch is the centerpiece of the Pioneer Garden. The garden showcases a sampling of the heirloom varieties that a pioneer family might have grown for food, medicine and, of course, brewing beer. A variety of herbs, fruits, vegetables and flowers are planted in wide rows, including corn, beans, potatoes, tomatoes, grapes, blueberries, squash, melon, turnip, amaranth and shoofly. Stakes at each row or clump are handwritten with the name of the variety planted there. Some names are quite colorful: Tongue of Fire (bean), Love Lies Bleeding (amaranth), Bloody Butcher (corn) and Cherokee Trail of Tears (bean).

The Butteville Store

Butteville StoreIf you’ve worked up an appetite exploring the Heritage Area, walk or bike on the 2-mile bike path along the river to the historic Butteville Store, or drive the short distance. Established in 1863, it is the oldest continuously operating store in Oregon and is now part of the Champoeg State Heritage Area.

Once a rival with Champoeg for commerce and transportation along the Willamette River, Butteville came into prominence after the Great Flood of 1861 washed away Champoeg. The town is higher in elevation and though damaged, it survived the flood. It even acquired the school bell from Champoeg, which floated downstream and now is mounted in front of the Butteville Community Church.

The store flourished under the ownership of J.J. Ryan, selling groceries, provisions, hardware and general merchandise. He also bought hops from local farmers and sold them to Henry Weinhard, who opened a brewery in Portland in 1855. Ryan soon added a saloon to the store that proudly advertised “Weinhard Beer.” Butteville thrived until the Oregon & California Railroad in 1871 and the Willamette & Pacific Railroad in 1907 shifted commerce away from the river and to towns along the rail line.

Today the saloon is gone, but the Butteville Store still serves up a sudsy pint and a cool glass of wine during the summer season. It also offers espresso, deli sandwiches, breakfast items, ice cream and other food. The store hosts dinner and live music on Saturday nights from April through September. Grab a cup of coffee and a bite to eat, then stroll down to the old river landing, about a hundred yards from the store. Interpretive signs explain the history of the landing. It’s a good spot to contemplate the history of these early pioneer towns and the river that shaped it.

If You Go:

Champoeg State Heritage Area
8239 Champoeg Rd NE, St Paul, Oregon 97137
(503) 678-1251

Camping reservations
Tent and RV sites, plus yurts
(800) 452-5687

Newell Pioneer Village
8089 Champoeg Road NE, St. Paul, Oregon 97137
(503) 678-5537

Butteville Store
10767 Butte St NE, Aurora, Oregon 97002
(503) 678-1605

About the author:
June Russell-Chamberlin is a freelance writer and editor in Oregon. When she’s not exploring and photographing the gems and hidden corners of the Pacific Northwest and beyond, she can be found reading a good mystery or continuing her quest for the ultimate chocolate truffle. junerussellchamberlin@gmail.com

All photos copyright June Russell-Chamberlin

  1. The hops arch in the Pioneer Garden frames a view of the Manson Barn. In addition to hops, a key ingredient in beer, pioneers also raised food and medicinal plants.
  2. The Willamette River at Champoeg, Oregon. Essential to the pioneers for transportation and commerce, the Willamette River brought mail, hops and other produce from the valley farms to Portland.
  3. Erected in 1901, the Pioneer Memorial commemorates the vote for self-governance in 1843 that set Oregon on the path to statehood.
  4. Five-foot tall wooden posts mark where streets once crossed in the lost town of Champoeg.
  5. During the Great Flood of 1861, townsfolk from Champoeg took refuge in the Robert Newell house on the hill above the town. Today it’s a museum showcasing life in the mid-1800s.
  6. Butteville, once Champoeg’s rival, flourished after the flood. Today the historic store serves summertime visitors cold drinks and a bite to eat.

 

Tagged With: Champoeg, June Russell-Chamberlin, Oregon cities, USA travel Filed Under: North America Travel

The White Dove of the Desert: Tohono O’odham Reservation, Arizona

Mission San Xavier del Bac

by Lesley Hebert

saguaro cactusI wrinkle my nose against the dusty smell rising up from the crunchy gravel beneath my feet. A giant saguaro cactus floats before my eyes as the dry air shimmers and waves in the oppressive heat. I shield my face against the blazing sun reflected from the brilliant whitewashed building ahead.

I am on the Tohono O’odham Reservation in southern Arizona, walking to the beautiful Mission San Xavier del Bac, also known as the White Dove of the Desert.

Dedicated to St. Francis Xavier, co-founder of the Jesuit missionary order, the San Xavier mission was founded by Father Eusebio Francisco Kino in 1692. It is one of hundreds of missions established in the seventeenth and eighteenth centuries to convert the native peoples to Christianity. Completed in 1797, this is the oldest working Spanish mission and the best example of Spanish colonial architecture in the United States.

The White Dove has two tall, slender white towers which reach up like wings from opposite ends of the two storey church building. One of her wings, however, appears wounded. Each tower is supported by identical buttresses and both are pierced with tall, arched windows. However, while the left-hand tower is capped with a domed roof and a crucifix-topped lantern, the roof of the right hand tower is flat and unadorned.

There are several theories as to why a dome was never added to the second tower. Some say construction stopped when a worker fell off the roof. Others say the dome was destroyed by a cyclone or left unfinished so that the church would not have to pay building taxes. But the most likely reason is that the builders simply ran out of money.

The light brown central section of the building forms the body of the dove whose breast feather are formed of intricate patterns incised into the facade. Statues of saints in alcoves between high colonnades hold their hands up in prayer. At the top of the façade are two giant swirls, one on each corner. Although I could not see them from the ground, I later learned that a carved cat crouches inside the eastern scroll and a mouse cowers in the western one. These carvings have given rise to a local legend that if it ever catches the mouse the world will come to an end.


Delirious with heat, I steady myself at the entrance by placing my hands on the rough surface of a ponderous wooden door cracked and faded by the desert sun. The coolness of the stone interior is a welcome relief. I feel as if I have been transported away to an ancient church in Europe. A spiritual calm washes over me as I breathe the refreshing air and inhale the waxy smell of burning candles and the lingering scent of incense.

My eyes adjust to the dim interior and I strain my neck to gaze upward at the high soaring arches supporting the roof. Around the walls I see statues of saints and angels and an array of murals. Some are faded and sadly in need of restoration. Others appear unfinished, lending support to the theory that the church builders ran out of money.

San Xavier mission interiorThe front of the church is dominated by a high golden altar, the design of which parallels the façade outside. It is covered with labyrinthine decorations and saints posing in alcoves. In the center a giant image of a priest in a black robe overlaid with a white surplice, Saint Francis Xavier himself, presides over the milling crowds of sightseers.

I watch visitors admiring the altar, staring at murals depicting the stations of the cross and taking the occasional snapshot. Oblivious of the throngs of tourists, the faithful kneel in prayer or light candles. A long queue snakes along the eastern wall. Curious, I join the end of the line.

As the line moved forward, I see a coffin-like glass case containing what appears to be the relic of a saint, a brown head sleeping on a snow-white, lace-trimmed pillow. The saint is covered in a pure white sheet scattered with humble offerings: photographs of children, small toys, even locks of hair. I had on several occasions seen the skeletal remains of medieval saints similarly displayed in Europe, so I watch with horrified fascination as people reach through an opening in the glass cover to caress the top of the head. Maybe I am hallucinating in the heat but, as people rub its crown, the head seems to nod a gentle blessing in return.

As I approach the saint, I realize that he is not actually a cadaver but a figure carved of wood. I am not sure whether I am relieved or disappointed but, sensing a powerful spiritual energy, I decide against putting my hand near the sleeping head and moved on.

I later discovered that the figure in the glass case started life as a wooden statue of the crucified Christ at Tumacacori, a mission further south on the road to the border town of Nogales. In 1849 the Apaches destroyed Tumacacori and Christ was transported to San Xavier, somehow losing His legs in the process. The statue is now revered as an image of St. Francis Xavier.

When I left the sanctuary of the church I was overcome once more by the powerful desert sun. On the far side of the parking lot a line of canvas awnings provided shade for food stalls run by members of the Tohono O’odham Nation. Craving a cold drink, I headed over to this inviting shady oasis.

The stalls displayed a variety of competing home-made signs offering Indian fry bread. Some menus were written on small blackboards with colored chalk. Others were flimsy cardboard squares leaning up against table legs or hanging from the edge of awnings. Since Indian fry bread was a dish I had never heard of before, I naturally had to try some.

Fry bread, I later learned, is not a part of traditional southwest native cuisine. Before European colonization the locals were farmers with a healthy, vegetable-based diet. In the nineteenth century, however, Arizona natives were forcefully relocated to unproductive land in New Mexico. The U.S. Government provided emergency food supplies to prevent the people from starving. These rations included a great deal of white flour, refined sugar and lard, which became the basic ingredients for the high calorie survival food known as fry bread. According to the U.S. Department of Agriculture, each serving of fry bread contains 700 calories and 25 grams of fat. Consequently, it is considered one of the main culprits in the high obesity levels among southwest native peoples.

The stalls offered sweet fry bread sprinkled with powdered sugar and cinnamon for four dollars and savory Indian tacos, which seemed slightly less unhealthy, for five dollars.

fry bread tacoI ordered a taco from an impassive, generously built member of the Tohona O’odham Nation whose girth suggested an ongoing love affair with fry bread. I watched him carefully drop a dough patty into simmering oil and wait patiently for the precise moment to flip the bubbling pancake with a pair of tongs. When he judged the second side sufficiently cooked, he lifted the fry bread out of the oil, wrapped it in paper towel and filled it with ground beef, cheese and lettuce.

“Careful,” he warned, “It’s real hot”.

The paper wrapper was warm and slick with soaked up oil. The aroma of hot oil wafted up to my nose as I took my first cautious bite. The warm fry bread was reminiscent of carny food. It was crispy and flaky with a croissant-like mouthfeel. It was also extremely filling.

As I walked away from the mission, I thought about the saint in the mission and the food served outside. As different as these two things appear, both are cultural traditions with comparatively recent roots. Both are creative responses to tragic circumstances: one a holy relic created from a broken work of art, the other a beloved comfort food created from unappealing survival rations. Both have served redemptive functions, one spiritual and the other cultural. And they both reveal unique stories about Southern Arizona culture and history.

If You Go:

The Mission is nine miles south of Tucson, Arizona via Interstate 19. Take Exit 92 (San Xavier Road) and follow the signs. Admission is free. Please be respectful as San Xavier is an active place of worship.

The fry bread stalls open on an unpredictable schedule which may depend on the day of the week or the time of day.

References:

Clizbe, George A. This is Green Valley. Tucson, Arizona: Shandling Lithographing Co. Inc, 1971.

Miller, Jen. July, 2008. Frybread.

tucson.com. Mission San Xavier del Bac: 11 things to know. Jan 21, 2017

Wright, Robert E. Spanish Missions. Texas State Historical Association.

 About the author:
Lesley Hebert has travelled extensively throughout Europe and the Americas, as well as to Indonesia and Japan. She holds a B.A. from Simon Fraser University. Now retired from classroom teaching, she teaches English as a second language to Japanese students via Skype and writes web content, travel articles, short stories and poetry. She lives in New Westminster, British Columbia, Canada.

 Photo Credits:

San Xavier del Bac Mission by Packbj under the Creative Commons Attribution-Share Alike 4.0 International license.

Saguero Cactus by Lesley Herbert.

San Xavier mission interior by Geremia under the  Creative Commons Attribution-Share Alike 4.0 International license.

Frybread taco by John Pozniak

Tagged With: Arizona attractions, Mission San Xavier del Bac, Tohono o"odham reservation, US travel Filed Under: North America Travel

The Mystery of Fairy Stone State Park in Fayerdale, Virginia

Fairy Stone Lake State Park
by Patricia Apelt

The idea of a city under water often sounds like folklore, bringing images of the Lost City of Atlantis or something from a movie. Few people realize that Virginia has its own tale of an underwater city — one that has been replaced by a beautiful lake. Here’s more behind the story of, Virginia, one of the most intriguing small town histories in the books. Most people, even some visitors to the park, have no idea this underwater city ever existed.

Deep below Fairy Stone Lake lays the remains of the forgotten town of Fayerdale. Once an estate belonging to the Hairston family, the town started as a coal mining operation around 1905.

George Hairston (September 20, 1750 to March 5, 1825) was a noted planter and politician in Virginia. He was a Colonel in the American Revolutionary War and a Brigadier General in the War of 1812. In 1776, George Hairston built Beaver Creek Plantation, which remained his home until his death.

In 1827, George Hairston Senior died. His 20,000-acre tract in Patrick and Henry Counties, known as “The Iron Works,” passed to his eldest son John who resided on the property and operated his father’s various business interests in the area. After their father’s death, John and his brother George II united in partnership with Peter Hairston, their first cousin. They wanted to continue and expand the small scale iron industry from a rich vein of magnetite in and about Stuart’s Knob, a craggy hill rising five hundred feet on John’s property. On 10 November 1836, the partnership was formally recorded under the name “Union Iron Works Company.”

Peter died in late 1840. Shortly thereafter, John transferred his interest in the partnership to his brother George, making George the sole owner of the Union Iron Works Company. About 1850, George obtained a fifty-acre parcel known as the “Forge Tract” from Jacob Prillaman.

Early in the 1850’s, George’s son, Samuel took over management of the Union Iron Works Company. Samuel expanded and consolidated the various parcels in Patrick County associated with the Union Iron Works into a single holding of 4,840 acres. On 15 January 1862, George transferred the Forge Tract and the 4,840-acre Iron Works Tract to Samuel “for affection and one dollar”. The following year, Samuel sold the Iron Works and Forge Tracts for $150,000 each to John P. Barksdale, Jonathan B. Stovall and Elisha Barksdale.

No records can be found indicating what activities occupied the settlement around the Union Iron Works from then until 16 June 1903 when the Barksdale heirs sold the same 4,840 acres, then known as the “Iron Works at Union Furnace,” to Frank Ayer Hill, Herbert Dale Lafferty, and their wives, Alice and Mary respectively, for $40,000. The area was given the new name “Fayerdale,” concocted by Alice Hill from her husband’s first initial, his middle name, and Herbert Laffertys middle name. During its prime the town boasted a general store, post office, train depot, hotel, school, and a physician, as well as many homes.

Fayerdale blossomed into a booming mining and logging town with a population of close to 2,000 people. The mining operations in Stuart’s Knob were mechanized. Other construction included a company office building, freight station, blacksmith and carpenter shops, an ore tipple, a warehouse to handle whiskies and brandies for the DeHart Distillery in nearby Woolwine, and numerous dwelling houses, stables and other ancillary buildings. The light weight logging track followed the cutting sites as they migrated through the rapidly disappearing forest. About that same time the Illegal whisky business began to emerge among the residents. The next drawings illustrate how Fayerdale was probably configured about 1910, the heyday of its brief existence.

During 1921, there was still lumber and farm produce to haul for profit even though the iron ore trade had ceased and Prohibition had dried up the liquor traffic. But things were not well in Fayerdale. Sporadic reports from that neighborhood published in the early twenties told of more families moving out, more feuding and shootings among the moonshining neighbors. Fayerdale was dying while a few of its residents were amassing fortunes in the illicit liquor business.

On 25 August 1925, T.W. Fugate purchased, for $50,000, all of Fayerdale’s railroad and mining equipment. Thereafter, virtually all of Fayerdale’s railroad and mining equipment vanished, and the land was as before the Hills and Laffertys arrived in Goblintown hollow except for the ravished forests, abandoned rail beds, many abandoned buildings, and a few scattered relics of iron.

About the time of the Fugate transaction, Roanoke newspaper publisher Junius B. Fishburn bought out his partners in the mining operation. In 1933 the Civilian Conservation Corps (CCC) was formed and went to work building Virginia’s original six state parks. Mr. Fishburn donated the 4,639-acre site for Fairy Stone State Park, making it the largest of the six original parks and one of the largest to this day. The last residents of Fayerdale were evacuated and the area was flooded to make way for the park’s 168-acre lake.

By their departure in the Spring of 1941, the CCC crews had provided paved roads, a sandy beach, picnic areas, camp sites, bridle paths and walking trails. They built a bath house, restaurant, and cabins for visitors as well as a water and sanitation system.

Fayerdale vanished into the mountain mists. Unlike Brigadoon, it will never return. In its place, however, is a delightfully pure and rustic mountain retreat where one may hike the paths of miners and moonshiners, peer into an abandoned iron mine, and swim, boat and fish in a beautiful woodland lake where once there was a town and two railroads.

Today, Fairy Stone Park still remains the largest and one of the most beautiful state parks in Virginia. One of the original CCC buildings now serves as the Fayerdale Hall Conference Center. Formerly the park’s restaurant, this facility was named for the town under the lake. The building has been upgraded with modern conveniences including Wi-Fi, a flat screen TV, and catering kitchen, making it a popular venue for weddings and meetings. The Fayerdale Hall Conference Centers stands as homage to this historic underwater town.

Fairy Stone State Park is a restful destination for bikers, hikers, campers, fishermen, horseback riders, water sport fans, and ‘just passing through’ tourist on day trips. A rather unique spot on the North American continent, Fairy Stone State Park is also the place where the so-called “Fairy Stones” are found, which is reason enough to visit.

The name of the park is explained by a legend from very early settlers of the area. It tells of a time long ago when large groups of fairies roamed freely in the area. When elfin messengers from far away came to them and told of the death of Christ, the fairies all began crying and their tears became the Fairy Stones found in the park today.

A bit of factual information is that these ‘stones’ are actually crystals formed of staurolite, which is composed of iron, aluminum, and silicate. Theses crystals are hexagonal, and singles often intersect at forty-five degree angles to form Roman, Maltese, or St. Andrews shapes. The crystals were formed from pressure and heat during the time when the Appalachian Mountains were being pushed up from the earth’s crust (some say about 400 million years ago). There is one small area just outside the gates but still owned by the park where you can go and perhaps find a few Fairy Stones for yourself. You are asked to only carry away a small cupful, leaving some for others.

 

If You Go:

Whether on a day trip or camping, please take the time to enjoy all the activities Fairy Stone has to offer. Be sure to talk to the Park Rangers, and visit the museum in the Visitor’s Center.

My thanks to other sources of information used in this article Jack Williamson from his book A History of Fayerdale, Virginia.

Tours to Roanoke, Virginia:

Roanoke Craft Beer Tour
Roanoke Downtown Food and Cultural Tour
Roanoke Sunday Brunch Food Tour

About the author:

Patricia Apelt has been an avid reader since she was first able to hold a book in her hands. She is now writing them herself, with two fictional novels already published and a third is ‘a work in progress’. She is also exploring the world of Travel Writer and enjoying it very much. When she is not traveling or writing, she enjoys quilting, sewing, and spending time with her 12 grandchildren. She lives with her husband and three dogs in Poquoson, Virginia.  Visit Patricia’s website and her Facebook page.

Photo credit: Virginia State Parks / CC BY

Tagged With: USA travel, Virginia attractions Filed Under: North America Travel

K’uuna Llnagaay and Personal Healing in Haida Gwaii, BC

Haida Gwaii heritage centre

by Bill Arnott

A small plane hauled me north, toward Haida Gwaii – prehistoric land, old growth rainforest and Haida First Nations. It was a departure from the Viking trek I’d been on for four years, in the wake of Scandinavian voyagers. I’d just finished a Norse-Britain excursion, from the Hebrides to Lindisfarne and my dad’s dad’s hometown of Dunfermline, Scotland. Like research, my travel was following hunches and side-streets, a voyage as pointedly vague as every explorer.

I exited the little plane with a handful of locals and wanderers, gathering packs and duffels. A bald eagle circled, low, directly overhead. At a sculpture park near my home it states, “When you see an eagle you know this is a special place.” And I realized I didn’t want to find my accommodation. Not yet. There was too much to see.

From Masset I drove south to Port Clements, home of The Golden Spruce. The Spruce is an anomaly, a genetic oddity that makes albinos seem common – a three-hundred-year-old tree with needles entirely gold in colour, in a forest on Graham Island. If you’ve read The Golden Spruce, you know the story. It was cut down by a protester for reasons too complex, convoluted, to comprehend. Killing makes sense to killers. It was felled with precision, into the Yakoun River.

From the car I walked a footpath through towering evergreens – sentient sentinels, until I saw The Spruce, now on its side, spindly and bare, the colour of bones – a corpse lying in the river. This was a sacred tree. To everyone. Even the man who brought it down.

With a blessing a piece of the trunk, still living, was cut by a native, Elders and Chiefs presiding. And this modest slab of spruce, this part of the land, was passed to a luthier, a gifted Canadian artisan who fashioned the wood into a guitar, an instrument known as Voyageur. The Voyageur guitar crossed the country, the ambitious project of CBC’s Jowi Taylor. It encapsulates Canada – a guitar of and for the people. Six String Nation is its story. Imagine a small piece of furniture constructed of generations of heirlooms from every family. Now imagine you pass that around and play it, sing to it – add your stamp to the whole. When Jowi passed Voyageur to me to play on a little theatre stage on Vancouver Island, I felt pride and privilege beyond measure. One of those things bigger than any or all of us.

I took a picture of the Spruce and a glow appeared in the photo I didn’t or couldn’t see in person, and I recalled the notion of pictures capturing souls. Leaving the forest I noticed a small sign I hadn’t previously seen. “Do not look back,” it reads, “There is much more to see, feel and love.” Leave everything behind. Your life lies ahead. I read this again, slowly. Truth is, under the guise of research, I’d fled here in an attempt to process my father’s passing, which had just happened, rather tragically. And here, in the forest, ensconced in spirituality, this oddly comforting sign held me. I felt lightened, burdens dissolving – the result of letting go. It was a feeling, ironically, I longed to hold on to.

I drove a short distance on active logging road, then from gravel to winding asphalt with a centre-line – the Yellowhead Highway that leaps from the BC mainland to these islands. CBC radio – the only station – came and went as I drove. In Port Clements, I stopped at Millennium Park and the Golden Spruce Trail at Saint Mark’s church. The Golden Spruce offspring lives here. A sapling, seeded from the original, grows in a small fenced enclosure. It’s squat and scrawny, and a large feather had fallen beside it – black with downy white – a dreamy vignette, heavy with optimism. A glimpse of healing.

Driving south I stopped at Balance Rock – a gravity-defying hunk of basalt shaped like a monstrous rugby ball on its side, sitting improbably on a small and natural Precambrian plinth. I hiked through bushes and grazed on wild strawberries and huckleberries. Blacktail deer crossed the road, indifferent to the occasional vehicle, and ravens flew by with a whoosh of wings. I carried on through Tlell to Skidegate, where the MV Kwuna ferried me to Alliford Bay on Moresby Island, and I drove to Sandspit with two new passengers – hitchhikers from the ferry. Dropping a bag in a hostel-lodge I strolled to the pub where everyone ate halibut and chips and drank Lucky lager. Back in my room, with open window I drifted off to the warbling chirp of bald eagles, a soft patter of rain and the aroma of sea.

I woke eleven hours later, breakfast smells wafting in my room – bacon and strong coffee. I stumbled down to where a friendly hippy-in-waiting proffered warm and generous portions of potatoes, eggs and staphylococcus. Remarkably, she managed to sneeze in a hundred-and-eighty-degree arc. The result, a feeling of eating al fresco in a squall – misting with a soupçon of mucous. I toweled off, ate, then jumped in a van going south, to Moresby Camp at the head of a fjord-like inlet where a Zodiac-rhib motored our little group to open water.

This stretch of sea is the Hecate Strait. North is the Dixon Entrance, deep ocean binding Alaska and Canada to the North Pacific. It’s a place of explorers – La Perouse, Perez, Cook and Drake – France, Spain and Britain seeking the Northwest Passage to the Orient. All came, courageous, determined, and failed, forced to sail back around the world.

Veering from land we found Steller sea lions barking and flopping on rocks, then we followed the coast, passing petrels in flight, auklets and murrelets on the water. Deer grazed near the beach in thickets of alder and hemlock. Eagles perched in trees where a massive, multi-generational aerie sat in the highest branches of a seaside spruce. The shoreline was textbook Pacific Northwest – red cedar, lilting hemlock, spindly alder, stodgy spruce, rocky shoreline with outsized bivalves, bull kelp, driftwood, jetsam from timber barges and the occasional treasure from Japan – fish floats of coloured glass and bulbs from ships and lighthouses, fragments worn smooth by surf and time.

In her autobiographical Klee Wyck, Emily Carr wrote of her arrival to this shore, “Skedans Beach was wide. Sea-drift was scattered over it. Behind the logs the ground sloped up a little to the old village site. It was smothered now under a green tangle, just one grey roof still squatted there among the bushes, and a battered row of totem poles circled the bay.” Our boat slowed as we entered the same bay, here at Louise Island. Our destination, the ancient Haida village of Skedans – K’uuna Llnagaay – century-old bleached totems, palpable spirits, and silence.

Two Haida Watchmen greeted us, tasked with protecting this site. Beaching the rhib we unloaded onto pea-gravel. Our small group was hushed, the awe of entering a cathedral. I knew this place from Carr’s art. She was here eighty-plus years ago, painting this environment. I recognized a cliff face, young alders now grown – a sense of returning to a place I’d never been. We crunched across rocky beach to a grassy rise where leaning totems guard the bay like wraiths, memories entwined with the land.

The Watchmen were a brilliant young woman – the first female Watchman, and a serious man wearing a flat-top flared hat of woven cedar. I’ve seen these hats in galleries with four-figure price tags, the workmanship millennia of expertise – practical, wearable art. We were led to their cabin and shared lunch outside, seated on logs. After, we followed a trail loosely bordered with huge clam and oyster shells, like a velvet rope around an exhibit. And we walked and gawked and soaked up the space, privileged to witness it all. History here is long, proud and tragic. What physically remains are longhouse foundations, corner posts and carved totems – house and frontal poles, mortuary and memorial poles – falling or fallen, melting back to the land.

From the remains of Skedans we marched through forest – a towering canopy of cedar over thick mossy ground the colour of young clover with a blanket of salal. A woodpecker feather lay near the path, an orangey-red quill, and one of the other tourist-guests, a local naturalist, showed me licorice root, which we plucked from where it grew, high up the trunk of a four-hundred-year-old spruce. It came away like a tiny white radish, the taste of black licorice and dirt.

We endured a long and jarring ride back in the RHIB (rigid hull inflatable boat), then waited in rain while our trailer was replaced. And then our vehicle. Snacks and outerwear were shared. We’d become an impromptu team, surviving elements and shared experience. Eventually we had a bumpy van-ride back to Sandspit where I fell into bed for another long sleep, wondering when the nasal squawk of ravens had become so soothing, and somehow reassuring.


If You Go:

You can fly from YVR on a number of airlines into Sandspit or Masset, both on Haida Gwaii’s largest island where most amenities are located. You can also ferry from Prince Rupert. There are shuttles but a rental vehicle will give you the most flexibility to explore. Expect mileage to be added to your rental cost, unlike most destinations where unlimited miles are the norm. Accommodation is uncomplicated – predominantly lodges and hostels with breakfasts included. Pack for maritime weather – all conditions in a day – wind, rain, sun and cold. The Haida Heritage Centre in Skidegate is a must – history, performances and interactive learning. Check to see what’s going on and allow at least a half day here. There are high end fishing lodges in the area (salmon and halibut being the stars) with gourmet meals and prices to match. Camping, however, can provide equally memorable experiences in this special, spiritual locale.


Vancouver Island Whale and Wildlife Tour

About the author:

Author, poet, songwriter Bill Arnott is the bestselling author of Gone Viking: A Travel Saga and Dromomania: A Wonderful Magical Journey. His articles and columns are published in Canada, the US, UK, Europe and Asia. When not trekking the globe with a small pack, weatherproof journal and horribly outdated camera phone, Bill can be found on Canada’s west coast, making friends and more or less misbehaving. www.amazon.com/author/billarnott_aps

Photo credit: Murray Foubister / CC BY-SA

 

 

 

 

Tagged With: British Columbia travel, Golden Spruce, haida gwaii tours Filed Under: North America Travel

Woven Treasures of Oaxaca Mexico

oaxaca woman weaving

by Deborah Dickerson

She holds up small pieces of bark paper painted with blue-green birds and yellow flowers. “Would you like to buy?” She asks me in broken Spanish. She looks to be not more than 10 or 11. Her eyes are kind and shy. We trade pesos for paintings; then, like an apparition, she is gone.

I sat on the church steps in the middle of the zocalo, looking at my bark paintings, thinking Oaxaca had not changed much from my last visit when I bought a pretty blouse embroidered with red flowers.

Dyed woolThat blouse sparked my passion for Mexican textile art and brought me back here 40 years later

This is the land of the Zapotec, one of 16 indigenous groups inhabiting Oaxaca state. Zapotec translates to “the cloud people.” Living in the mountains of south-central Mexico since pre-Columbian times, their traditions run deep. Their ancestors were warriors, builders, and artists. They are weavers, embroiderers, potters, and woodworkers. Their decor and clothing weave rich stories of the people who create them. It tells their place in their world, their identity, their pride.

Exploring the many shops, markets, and museums in Oaxaca City, Mexico brings to life a heritage of exquisitely crafted tapestries and clothing.

In the nearby villages of Tlacolula, Teotitlan del Valle, and Mitla, the making of traditional weavings and embroideries lives on, where you can enjoy, learn about, and purchase, some of the finest woven symbols of community and living culture.

Oaxaca City – Where everything old is new again

A main thoroughfare in the historic center, Macedonio Alcala, is pedestrian-only, making it easy to crisscross back and forth, browsing the shops, restaurants, and galleries.

Colonial buildings painted in peach, cobalt, and saffron hold windows covered in ornate wrought iron. Baskets of red geranium cascade down the walls.

Massive hard-wood doors are open, inviting you to stop for a visit or a taste. The sweet aroma of cafés and coffee houses waft in and out. Sample a smoky mezcal or a blue corn tostada called a Tlayuda, a Oaxacan specialty.

Inside one of these massive doors is Arte Textil Indigena. Stacks of huipiles (blouses), ponchos, shawls, and skirts, woven on backstrap looms or embroidered with images of crabs, birds, and stars fill the not-for-profit shop. Woven brocade tapestries line the walls. The knowledgeable clerks will tell you where each piece was made, by what process, and sometimes, even the name of the artist.

At the Oaxaca Textile Museum, an artist from an outlying village demonstrates her family’s craft of weaving on a backstrap loom. The beautifully restored eighteenth-century mansion houses current works as well as curated historical exhibits featuring fabric arts from Mexico and around the world, a glimpse of what you may see on your travels outside the city.

Tlacolula Market – Centuries of socializing

Nobel Laureate poet Pablo Neruda once said, “I went from market to market for years, because Mexico is in its markets.”

If the marketplace is the heart of Mexico, the Sunday market in Tlacolula is the heart of Oaxaca.

colorful dressesA sea of green, blue, and orange tarps constructs the open-air stalls – a tapestry in motion. A vendor hawks a taste of orange mamey fruit. The smell of barbeque floats by on the warm breeze past a mile-high stack of fresh tortillas waiting for the tangy pork, grilled onion, and stringy Oaxacan cheese.

Much like 200 years ago, the market is still the weekly gathering place for villagers from around the region to socialize, gossip, and trade goods. Subtle differences in blouses, aprons, and headscarves define the villagers. The intricately machine embroidered, and beribboned aprons worn by Zapotecan women occupy an entire row of vendor stalls.

Teotitlan del Valle -Textiles, tapestries, and tales of a thousand years

Known as the village of 5,000 weavers – Teotitlan del Valle (tayo teet lan del vy a) has been weaving since pre-Columbian times. Their woven cotton fabric was so fine the Aztec rulers required tithes of the cloth.

The Dominicans introduced sheep to the region and brought the first wood pedal loom in the 1500s. The villagers began weaving the stunning wool carpets the village is famous for today.

Past the large shops with the tour buses, is La Cupula Bed and Breakfast.

masterful weaving7th generation master weaver Demetrio Bautista Lazo and his wife, Maribel, are the consummate hosts. Demetrio is world-renowned not only for his weavings, but for his old school, yet innovative dying techniques. Wearing his infectious grin, he shares grinding the cobalt, boiling the yarn in the mixture, and hanging it to dry in the sunshine where it turns a luxurious deep blue. The weaving on his loom is a masterpiece in blue and cream

The many workshops throughout the village welcome visitors and are happy to share their processes and offer their weavings for sale.

Mitla – Legends of blood sacrifice

The intricate mosaic fretwork on the walls of the archeological site at Mitla may be the inspiration for the geometrics woven into carpets and embroidered on cloth. Every stone was meticulously carved and put in place without mortar. A testament to the artistry.)

Once the most important Zapotec religious center in Oaxaca, some say it was a cult center dominated by high priests and was the entrance to the underworld. If you’re not claustrophobic and not superstitious, you can climb down into one of the two underground tombs.

The villagers here weave fine cotton cloth for household goods like bedspreads, tablecloths, and shawls.

Santa Maria del Tule – A small village with a very large tree

On your way back to Oaxaca, stop in Santa Maria del Tule, not for textile art, but for the tree. And for a pistachio nieve (snow) – traditional Oaxacan ice cream.

The large cypress is between 2,000 and 3,000 years old and has a circumference of over 160 feet at its base, dwarfing the nearby church. Imagine, this tree was a sapling when the ancient civilizations of Monte Alban and Mitla were in their heyday.

For the traveler in search of culture and history, journey beyond the mega-resorts and the margaritas to the hazy mountains and brilliant blue skies of the Tlacolula valley of Oaxaca, where every piece of cloth tells a story.

If You Go:

Things to do in Oxaca


Oaxaca Day Trip: San Bartolo Coyotepec, Santo Tomás Jalieza and Ocotlán de Morelos

About the author:

Deb Dickerson is a freelance travel writer who calls the Pacific Northwest home, although you’ll likely find her in a warmer climate when the weather turns gray and cold. Always looking for an adventure and a different outlook, cultural travel is her thing. When going local, she tries to stay off the interstate and enjoys cruising the Scenic Byways and Highways, especially the Oregon Coast. Member of the ITWPA and AWAI, Deb is also a copywriter for the travel and hospitality world. Her work has been published in International Living, Short Weeks Long Weekends, Travel Post Monthly, and various local papers. You can find her here: www.debdickerson.com

Photo credit:

AlejandroLinaresGarcia by Creative Commons Attribution-Share Alike 4.0 International, 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.

Tagged With: mexico travel, Oaxaca tours, oaxaca weaving Filed Under: North America Travel

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