
The “city by the bay,” San Francisco, has a long history of street art dating back more than a century to the 1800s, and it continues to play an significant role in the city’s art scene, culture, and political activism. Nestled among the eclectic neighborhoods and bustling streets of San Francisco there is a treasure trove of vibrant murals, thought-provoking graffiti, and captivating street art installations. From the colorful alleys of the Mission District to the iconic walls of Balmy Alley, San Francisco’s diverse neighborhoods serve as an ever-evolving canvas for local and international artists alike.
Here are some of San Francisco’s best street murals:
Drag queen, party impresario, activist, and philanthropist Juanita MORE! is one of San Francisco’s most beloved residents, so much so that she’s been celebrated with over half a dozen different street murals throughout the city. Juanita MORE!’s murals can be found in neighborhoods including in SoMa (Elliott C. Nathan’s Loads of Love at the Powerhouse), the Castro (by J. Manuel Carmona, outside Unionmade), Polk Gulch (Serge Gay Jnr’s creation on the exterior of Lush Lounge at Fern and Polk streets), Steiner Street at Grove (by J. Manuel Carmona and Guilherme Lemes Cardoso e Silva) and also outside the revived Love Shack by SPARC at 502 14th St., in the Mission (again by Gay Jnr.).
Polk Gulch and Lower Polk Street
The Polk Gulch neighborhood is known for its vibrant tapestry of street art and testifies to the city’s rich cultural history. Once hailed as San Francisco’s ‘first LGBTQIA+ neighborhood’ with a thriving scene from the 1950s to the late 1970s, before the Castro neighborhood claimed the spotlight. Among the latest additions to its artistic landscape is a captivating piece by Serge Gay Jnr, located on the corner of Post Street and Larkin Street.
Mural at Bernal Heights Street Garden by Amos Goldbaum
Renowned San Francisco artist, Amos Goldbaum, has recently decorated the public garden walkway in Bernal Heights with one of his iconic murals. Titled “City in a Garden,” Goldbaum’s masterpiece spans 13 panels and was crafted in just over a month. The mural showcases stencil-like depictions of the city’s iconic landscape, adding a touch of vibrant creativity to the neighborhood’s scenery.

Balmy Alley (Between 24th and 25th streets, and Treat and Harrison streets)
Murals first appeared along Balmy Alley in the mid-1980s as a poignant expression of outrage over human rights violations and political corruption in Central America. Today, the themes depicted have evolved to include broader societal issues such as gentrification and government injustice. The Mission Cultural Center for Latino Arts is just a few blocks away for those seeking additional arts and culture when visiting San Francisco. Alongside its impressive collection of exhibits, it offers several theatre, music, and dance workshops.
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San Francisco never ceases to entertain. The city is diverse, exciting and cosmopolitan. No matter how many times you visit, there is always something new to see. But the city hasn’t always been this refined. Between 1849 and 1917, the city enjoyed a raucous reputation known as “the Barbary Coast” period. The Barbary Coast, the original red light district, acquired its name around 1860 from the coast of North Africa where Arab pirates attacked Mediterranean ships.
Labor was scarce as passengers and crew jumped ship to seek their fortune. This problem was alleviated with the practice of shanghaiing – signing up sailors by coercion. Prospective sailors, no experience required, were slipped a “Mickey Finn” (opium) in their drink then dropped down a trap door in the saloon floor. This may be where the expression “down the hatch” originated. Upon awakening, they would find themselves unwilling crew members on an outbound ship destined for a two year tour.
Those who were not shanghaied often frequented the local dance halls. Exit the Old Ship Saloon and walk approximately three blocks to the Hippodrome. Now an art supply store, the sidewalls of the entrance are still graced with the original white bas-reliefs of dancing nude nymphs. Superficially this establishment catered to lonely men but it also housed a secret tunnel used for smuggling goods and people. Descend the stairs into the basement and face the wall at the front of building. In the far right corner you find the entrance to a now walled-off tunnel approximately 15 feet long with 10 foot high arched ceiling.
A history of more vice follows in Chinatown’s Ross Alley (“the Street of the Gamblers”). Walking along, you find many of the doors in the alleyway covered by metal gates. Any one of these doorways potentially leads to a former gambling or opium den. While nothing from this time is clearly visible, it is not difficult to imagine men and women sprawled out in a drowsy or completely overcome condition. While you proceed through the alley, stop by the Golden Gate Fortune Cookies factory for a free sample and see how that product is made.
