
by Chris Millikan
When touring China’s legendary sights with twenty other enthusiasts, my husband Rick and I encounter unimaginable marvels in and around Xian, the early capital where Emperors ruled for over 3,000 years.
Two memorable days begin high atop the ramparts of this ancient city’s wall, one of the few remaining in China. On our way to the north gate, our energetic guide Hanson points, “That Bell Tower is from the 14th-century; its huge bell once signaled sunrise every morning. Over there to the west, that evening Drum Tower would sound day’s end.”
Along some of the nine impressive miles encircling the city, we stroll above the old moat; others ride bicycles or jog. Built over 600 years ago for both protection and food storage, formidable watchtowers solidly anchor each corner; smaller defensive towers dot the top at intervals. Fluttering crimson flags and lanterns punctuate the stark gray structure.
We next arrive at the Great Wild Goose Pagoda, a religious complex built about 652,AD on the city’s southern edge. Silver morning mists shroud its peaceful manicured gardens as Hanson regales us with this sanctuary’s legend, “During a severe famine, Buddha miraculously provided flocks of wild geese to feed starving worshipers…” Over 300 Buddhist monks were once housed in 2000 little rooms here; nowadays, forty live here.
Pausing, we light slender red candles and bundles of incense-sticks to send silent wishes and prayers to loved ones back home. Entering the soaring seven-story pagoda protecting Buddhist scriptures, our guide explains, “Renowned traveling monk Xuan Zang brought these sacred writings from India along the ancient Silk Road…and translated them into these 1335 volumes kept in these glass cabinets.”
Lively afternoon markets in the Muslim quarter and a surprising stop at the Great Mosque intrigues everyone further. Infusing us with even more history, Hanson explains, “This mosque was founded in 742 as a religious center for Arab merchants…and today it serves over 60,000 Chinese Muslims! When Kublai Khan expanded westward in the 13th century, large numbers of Muslim soldiers and artisans resettled here in China.” Except for the intricate gold Arabic lettering, the beautiful wooden building looks entirely Chinese, with a two-story pagoda replacing typical domes and minarets.
Just when we thought it couldn’t get any more captivating we arrive at Xian’s Grand Opera House, a huge dinner theatre. Soon, white-clad servers deliver basket-after-steaming-basket of tiny, mouthwatering dumplings. Wielding our chopsticks enthusiastically and washing each luscious tidbit down with cold Chinese beer, we ooh and ahh delightedly over these intricate handmade creations, decorative tops signifying each filling: duck, broccoli, pumpkin, but the most electrifying experience was yet to come…
Heavy velvet curtains open dramatically, revealing an opulent royal court complete with Emperor, bejeweled costumes with elaborate headdresses and ancient stringed instruments. Swirling colours, haunting music and elegant dances quickly transport us into the grace and beauty of China’s Golden Age of the Tang Dynasty. And as spectacular as this day had been, we soon discover that our next day would be even more astonishing.
In the morning, our bus rolls smoothly beyond Xian’s walls, passing farms, orchards and roadside stands sun-drying persimmons. Pointing through the bus windows, Hanson remarks, “Imperial tombs surround Xian! Emperors, empresses and high-ranking officials are all buried there.” Looking out at the distant mound of first Emperor Qin Shihuang, we try to visualize his massive underground burial chamber, described in early records as jewel-filled palaces littered with gold and silver statues, pearl-encrusted ceilings and flowing mercury-rivers… and wonder whether the fabled treasures remain in his yet un-excavated tomb.
Hanson continues, “Ascending the throne at age13, Qin unified feudal kingdoms and established China’s first dynasty in 221 BC. Seven hundred thousand artisans worked on his mausoleum for decades before his death, never finishing it. His son eventually continued the work, as his father had wished.”
Stopping at a state workshop, we watch as artisans create souvenir soldier replicas in many sizes. Examining molds, tools and fire-pits reveals clay figure secrets. “Terracotta is baked clay,” the guide instructs. “Feet and legs are solid, bodies and heads hollow.” She continued, “Hairstyles distinguished ranks: topknots to the right were soldiers; topknots on the left, kneeling archers; two topknots like a butterfly indicated generals; a flattop designated officers or horsemen.”
Expecting natural terracotta earthen tones, I’m surprised to learn that hair, eyebrows, faces and hands had then been hand-painted in life-like colours: pink flesh, white eyeballs, black hair. Yellows and scarlet covered Emperor’s robes; green, soldiers’ trousers. Inspired, my hubby bargains for an entire clay regiment to guard our sun room plants back home.
Before viewing the revered Army of the Terracotta Warriors And Horses, we pass Mr. Yang, an elderly farmer signing keepsake books documenting his legendary discovery. While digging a new well in 1974, he had uncovered bronze weapons and broken warrior-bits, never expecting that this accidental discovery would result in the riveting UNESCO World Heritage Site we’re about to see.
Three earth-and-timber underground vaults have now been excavated. Over one thousand soldiers were discovered in a smaller chamber, sixty-eight warriors and war-chariots in another, the command post. The largest pit yielded an astounding terracotta army of six thousand life-sized foot soldiers, cavalry and officers…
At last, we enter into that bright air-conditioned pit over a football field and a half in size. Scarcely believing what we were seeing, we witness the twentieth century’s premier archeological discovery…
The remarkably preserved force stood in battle formation guarding Qin’s ancient imperial necropolis, exactly as he had dictated 2000 years before. Ranging from 5-feet-8inches to 6-feet in height, the armored warriors wore short chain-mail coats, belted long-sleeved gowns, leggings and laced boots. Stretching row-upon-row four abreast, they once held bows and arrows, swords or spears. Although buried for centuries, their weapons were rust-free and still sharp when unearthed!
Hanson observes, “Soldiers and horses have been carefully reassembled from collapsed rubble; the colours have mostly faded.” From each warrior’s facial expression, including wrinkles on the generals, we imagine their different personalities. Last of all, we pause thoughtfully at the humble well’s site, the place that had started worldwide notoriety.
Ah yes, Xian City’s celebrated attractions completely captivate our imaginations and resonate still, quite remarkable memories.
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One Day Private Walking Tour in the Old City Area of Xi an
If You Go:
• For Tour Advice: www.hansontravel.ca
• Fly from Beijing: www.travelchinaguide.com/china-flights/beijing-xian.htm
• Beijing Train schedules & prices from Beijing: www.beijingchina.net.cn
• Xi’an Sights: www.travelchinaguide.com/attraction/shaanxi/xian
About the author:
A much-traveled freelance writer/photographer living near Vancouver, BC Chris Millikan is a former teacher and elementary school principal now extolling the joys of travel as an inviting ‘curriculum.’ Traveling off the beaten track with writer/photographer partner and hubby Rick, these accounts reflect zany, cultural and historic adventures. A member in good standing & Vice President of the BC Association of Travel Writers, her stories regularly appear in Senior Living Magazine, Open Road Magazine, In-flight Magazines, community newspapers and occasionally the Vancouver Sun and Province. She is a 2009 Kalama Award winner, acknowledged for stories that reflect the culture and history of Maui, Molokai & Lanai. Contact her at chrsmillikan4@gmail.com
All photos are by Rick & Chris Millikan:
1. Xian’s Great Mosque Entryway
2. Xian’s Wild Goose Pagoda in the mist
3. Xian’s City Wall Gate
4. Xian’s Terracotta Soldiers
5. Xian’s City Wall Bell Tower
6. Xian’s Muslim Mosque
7. Xian’s Wild Goose Pagoda Drum Tower
About the author:
A much-traveled freelance writer/photographer living near Vancouver, BC Chris Millikan is a former teacher and elementary school principal now extolling the joys of travel as an inviting ‘curriculum.’ Traveling off the beaten track with writer/photographer partner and hubby Rick, these accounts reflect zany, cultural and historic adventures. A member in good standing & Vice President of the BC Association of Travel Writers, her stories regularly appear in Senior Living Magazine, Open Road Magazine, in-flight magazines, community newspapers and occasionally the Vancouver Sun and Province. She is a 2009 Kalama Award winner, acknowledged for stories that reflect the culture and history of Maui, Molokai & Lanai. Contact her at chrsmillikan4@gmail.com

We were on our way to Tango Goemba, a few miles north of the capital, Thimpu. Two flashes, one yellow and one scarlet, darted across the path just in front of us in close succession. Tashi stopped in his tracks. ‘Ssh.’ We followed his gaze, and saw the two small birds on a branch just off to our left. ‘Long-tailed minivets,’ he said. ‘The red one is the male. It’s auspicious to see them together.’
As we approached Tango Goemba, we saw a printed paper sign stuck on a brightly-painted wall: (REQUEST) PLEASE COME IN NATIONAL DRESS. INFORMAL DRESSED ARE NOT ALLOWED LA. It seems that the final ‘la’ takes the edge off any instruction or statement, making it polite. I looked down at my dirty jeans and sweatshirt, but Tashi assured me that the sign only applied to locals. The dogs settled down to rest in front of the monastery entrance.
‘He is the seventh reincarnation of the fourth desi of Bhutan’, Tashi said. A desi is a spiritual leader. ‘His previous incarnation died in 1830. We are very lucky to see him.’
Many stories are told about the Divine Madman’s exploits. One day, a crowd his followers asked him to perform one of the magic feats he was famous for.
We were blessed by a monk who tapped our heads with two ten-inch plastic phaluses. Since we’re not too bothered about fertility at this point in our lives, we wished for health for our grandson and any grandchildren we may have in the future. Just as we left the temple, I received a text message from my daughter: ‘Your beloved grandson has just walked his first two steps!’









Midway through the dinner, the Maharaja extended his royal invitation to me and my family to be honored guests of his palace. I was absolutely delighted with the offer. A fortnight after the Navaratri festivities, I booked a flight to Ahmedabad and travelled onwards to Gondal by road. By the time we reached Gondal’s magnificent Orchard Palace, it was late evening and dusk had already descended here. I was informed by the palace’s caretaker that the Maharaja was out of town and would be back in a day’s time.
During his rule, the residents of Gondal were exempt from paying taxes as he evolved an innovative land revenue system. To make Gondal self-sufficient in livestock, he introduced animal husbandry while to improve the agricultural sector, extensive irrigation network was developed, which brought even the wastelands surrounding Gondal under the ambit of modern agriculture. The Maharaja’s visionary outlook ensured that even those with very little academic background too were also offered meaningful employment with the setting up of technical schools that imparted training on domains like carpentry, mechanics, surveyors, painters and engineers.
However, the best was yet to come viz-a-viz the Royal Garages about which I had heard so much from my Gujarati friends at Kolkata. As I was ushered in to the garage compound by my guide, I was downright stupefied by the huge collection of vintage cars which were stationed in individual sheds. This was easily one of the greatest collection of vintage cars in the whole of Asia. The collection ranged from the 1910 New Engine to the more elegant 1940-50s Cadillacs as well as a few truly impressive American cars of the 50s. The best part of the Royal Garages was the remarkable collection of horse drawn carriages, which was inclusive of the Victorian and Shetland carriages.
No visit to the Naulakha Palace is ever complete without a visit to the exclusive Palace museum which showcases the rare collection of silver caskets which I was told were used to carry messages and gifts for the erstwhile Maharaja of Gondal.
Well over a half century ago the inveterate British mountaineer and travel writer, H.W. ‘Bill’ Tilman (b.1898), was the first European to trek across some of the highest parts of Nepal. It was 1949, and one of his stops was the sacred Hindu/Buddhist pilgrimage shrine of Muktinath, near the Tibet border on the north side of the Annapurna massif.
Tilman’s Nepal Himalaya was our guide. It’s a classic of the Himalayan literature, one that belongs in the personal library of every ardent or aspiring mountaineer and trekker. It is notable not only for its descriptions of the medieval-like conditions of rural Nepal over half a century ago, but for the author’s unique candor and style.
Tilman’s prose was more serious, informative and insightful, but no less entertaining. For example, in one chapter of his book he wrote, tongue-in-cheek, that he and his companions failed to summit Annapurna-IV (24,688 ft) simply because of an “inability to reach the top.”
His party “camped near the topmost house of the straggling village where our arrival created no stir. A place to which several thousand pilgrims come every year must be accustomed to strange sights.”
Tilman noted that Muktinath “owes its sanctity to the presence of the thrice-sacred ‘shaligram’,” the local name for black ammonite fossils found in abundance in this locale. Hindus worship the coiled shaligrams as representations of Lord Vishnu. Buddhists consider them to represent Gawo Jogpa, a serpent deity. Geologically they date back 165 million years to a time when this high-rise landscape lay covered by mud at the bottom of the Tethys Sea. Back then, long before the Himalayas were formed, the shallow Tethys separated Gondwanaland (today’s Indian subcontinent) from Laurasia (the Tibetan plateau). You can well imagine the looks of wonder in the eyes of today’s pilgrims from the plains upon finding the encrustations of ancient sea creatures so high in the mountains.
The fires of Jwala Mai were first described in English by David Snellgrove, a British Tibetologist who visited Muktinath in 1956. In his book, Himalayan Pilgrimage (1961), Snellgrove wrote that “The flames of natural gas burn in little caves at floor level in the far right-hand corner. One does indeed burn from earth; one burns just beside a little spring (‘from water’); and one ‘from stone’ exhausted itself two years ago [1954] and so burns no longer, at which local people express concern.”
On the secular side of Muktinath, the physical facilities available to pilgrims consist primarily of uncomfortable cold stone shelters wide open to the elements. In recent years, several tourist hotels and trekkers’ guesthouses have been built at Rani Pauwa (‘Queen’s Resthouse’), a small settlement below the shrine. They bear such names as Shri Muktinath Hotel and Royal Mustang Hotel, and one that is inexplicably named after Bob Marley, the renowned Rastafarian musician.
I set out to trace the etymological roots of “resort,” the noun. In Roget’s Thesaurus I found a long list of synonyms: haunt, hangout, playground, vacation spot, gathering place, club, and casino. A place for recreation, like a ski lodge. A health spa, baths or springs. All the things we expect a “resort” to be. The only association between these contemporary descriptors and Muktinath’s ascetic reality are those “hundred-odd” cold mountain springs. But I can’t imagine Tilman cavorting playfully in the frigid waters then calling it a “resort.”
