
Derwent Valley, England
by Helen Moat
The stillness is unnerving in this dark, dank, virile valley. Nature is out of control here: ivy, moss and lichen are choking stone and tree, swallowing the stream even.
This place was once very different. I catch glimpses of the past through snaking roots and shrubbery: a gable here, an empty window there, a missing door, a roofless ruin, a right angle of walls instead of a rectangle, a pile of rubble. Further up, there’s the curved wall of an empty paint vat, a single surviving flue and a wheel pit with an empty linchpin. In an archway, there’s the worn-away convex curve of stone where a millstone once ground.
All this is the work of a man called Richard Arkwright.
Arkwright was born into the world in 1732. When his mother looked upon her new-born child, it’s unlikely she thought, “My son’s going to change the face of Britain forever,” but this is exactly what Richard Arkwright did. Because of him, the countless small-scale cottage industries that criss-crossed the British countryside largely disappeared to be replaced by huge factories that sprang up in villages, towns and cities across the land.
Arkwright grew up in the heart of England surrounded by hills and dales, in a part of the island where streams and rivers tumble through the Pennines. He saw the potential of the water’s energy to power machines that could produce goods quickly, cheaply and en-mass.
Arkwright: opportunist, designer, engineer, entrepreneur, ruthless negotiator, business magpie and self-made man, developed among other things: the spinning frame, the water frame and carding engine. He established the great mills that still line Britain’s waterways. And although some mills existed before Arkwright came to the fore, it was Arkwright who created the modern factory – a hundred years before Henry Ford was born. He is the father of the Industrial Revolution.
In the heart of England, the Derwent Valley Mills line the A6 road between Derby and Matlock, great monuments to the birthplace of the Industrial Revolution, and are so historically significant that they have been given World Heritage status.
If you take the A6 road, you are truly travelling through history. In Cromford, absurdly narrow 2-up-1-down terraced houses line the streets, built by Arkwright to house his workers.
His employees were fiercely loyal to Arkwright. After all he provided them with money, homes, even a week’s holiday (as long as they didn’t leave the village). He also refused to employ children under the age of seven. But he was a strict and fearsome autocrat; a man of his times.
Still on the A6, and just a short distance from Cromford, is Masson Mill. Here Arkwright built a large, rambling Gothic house that towers over the mill – directly across the road. Arkwright’s employees were constantly reminded that their employer was watching them – even when not in the mill. And Arkwright kept a hawk eye on his workers at all times, locking the factory gates precisely at 6am every morning. If a worker didn’t make it in time, regardless of the reason, they lost a day’s wages.
Across the valley from Masson Mill (now a shopping outlet housing a small Arkwright museum), you can see Willersley Castle. Arkwright tiring of the gloomy Rock house situated in a narrow, shady valley, bought a large tract of land from Florence Nightingale’s family and set out to build an elegant mansion on the sunny side of the valley. However, as luck would have it, the house burnt down on completion and Arkwright had to wait a further two years before the rebuilt house was complete. But fate was to conspire against him and poor Arkwright died before he could ever move in.
Just outside Matlock, slightly off the Derwent trail, is Lumsdale, a forgotten wooded gorge. It lies off a narrow country lane, obscured by thick undergrowth.
Few venture here, yet it’s a place of strange decaying beauty. The first mill was built here in the 1600s. By the height of the Industrial Revolution, there were at least seven mills crammed into this narrow dale. Arkwright, of course, was at the centre of Lumsdale’s expansion.
I make my way up the steep-sided ravine, passing through the ruins of the old mills.
Closing my eyes, I can almost smell the ground minerals, the crunched bone of animal, the chaff of the wheat and the woven cotton. If I concentrate, I can almost hear the millstone grinding and the voices of mill workers hanging in the heavy, dust-filled air.
Climbing high above the dale, I look down at the waterfall that spills a hundred feet. Transparent pebbles of water bounce into the air. Below, the stream is bracken-brown. At the water’s edge, great green and russet slabs of stone sculpt the valley, like heavy, angular communist monuments.
This place, once crammed with workers, is almost devoid of human life now: there’s just the odd pair of hikers, a solitary dog walker or the occasional bunch of wild local children creating their own worlds in this mysterious place.
Finally I’m up. I sit by the last surviving mill pond of three, pondering this forgotten heritage. A black Labrador appears and bounds to the water’s edge, breaking the glassy surface of the water with his snout. The inverted landscape trembles. Mallards fly out of yellowed reeds. A flock of crows rise up on the hillside in an echo.
As I sit here, I wonder what Arkwright would have made of this once industrial hub, now slowly returning to nature. And I wonder what he would make of post-industrial Britain, his factories all but gone, and his mills converted into flats – or shopping centres filled with goods manufactured far across the world.
And I think to myself: he might just turn in his grave.
![]()
Ten Lakes Spectacular Tour of the Lake District from Keswick
If You Go:
♦ The Derwent Valley is accessible by bus or train from Derby. Stop off in Cromford. Visit Scarthin Books (taking in the picturesque mining terraced houses). The bookshop is well-stocked with local literature (including books about Arkwright). Enjoy English eccentricity at its best with quaint rooms filled with an odd assortment of objects and furniture -including a bathroom that actually has an ancient roll-top bath in it, and an organic café hidden behind a curved bookcase!
♦ Walk down to the Cromford Mill.
♦ Take time to have a stroll along the Cromford Canal to High Peak Junction with its railway carriages and impossibly steep railway track (now dismantled). If you make it to the top, you will be rewarded with brilliant views of Cromford (including Arkwright’s two homes). Make it a circular walk by dropping down through the fields into the village again. Derwent Valley Mills
♦ Walk the short distance along the A6 (or take the bus) to Masson Mill. Enjoy a little retail therapy in this shopping outlet and book a guided tour of the Arkwright Museum – where weaving still happens.
♦ Enjoy the charms of Matlock Bath, a Victorian tourist town that feels as if it should be by the sea (but isn’t!) Take the cable car up to the Heights of Abraham and enjoy a guided tour of the caves.
♦ Continue on to Matlock. Take a taxi to the Lumsdale Site from Matlock. (It’s a 1 mile walk from Matlock centre.) Feel the presence of Arkwright and the Industrial Revolution in this hauntingly, beautiful place that is slowly returning to nature.
Derwent Valley Tours Now Available:
Derwent River Valley and Coal River Valley Tour from Hobart
River Derwent White Water Rafting Day Trip from Hobart
![]()
Derwent River Private Harbour Cruise on the ‘Odalisque’ from Hobart
About the author:
Helen Moat spent her childhood in the back of her Dad’s Morris Minor, travelling for hours at a time all over Ireland (or so it seemed). Rather than putting her off, she is still happiest when on the road – and writing about it. She has won prizes in several travel writing competitions, including runner-up with the British Guild of Travel Writers in 2011 and has been published in The Daily Telegraph and the Guardian, Wanderlust Magazine – and various on line travel magazines. You can find more on the writer’s blog at: moathouse-moathouseblogspotcom.blogspot.co.uk
All photos are by Helen Moat:
Willersley Castle
Cromford Mill
Richard Arkwright portrait
Masson Mill
View through a doorframe
Last surviving millpond
A remaining flue

We are a bit early and have a chance to amble round the gardens. Pebble pathways weave like a labyrinth through trimmed hedges in varying shades of green. A fountain sits in the center with a cherub standing on top and the soft sound of trickling water. We watch a bride and groom looking out over the cliff, down to the River Thames. His arm wraps around her slender waist over the buttons elegantly running down the back of her lace dress. Their guests photograph them as they laugh and kiss in the late afternoon sun.
We sit back in our sleek armchairs and people watch through the windows. Our separate teapots arrive along with sugar cubes and milk in a sterling silver pitcher. I lift my teapot and pour it into my cup. The tealeaves come pouring out with it. I look over the table at Stonie, sheepishly, and see that he has made the same mistake.
We start on the sandwiches. They’re thinly spread with different fillings, like hummus, roast beef, and egg mayo. Frankly, I am not impressed. They’re made with commercially packaged bread, crusts are cut off and only about 1/3 of the slice is used. I wonder what they do with the rest of the sandwich. If I’m going to pay £21 for sandwiches, I would like fresh bakery-worthy bread, not the Wonder bread my mom used for bologna sandwiches in my school sack lunch. However, this is traditional afternoon tea, and that’s the way the sandwiches are made. Besides, I’m hungry.
I cut a raisin scone in half and spread the jam first, then the cream. It’s so thick, I use my finger to scrape it off the spoon and lick my finger clean. Not the best manners, I’m aware, but we’ve already broken so many other rules of etiquette.
As my knight in shining armour parked the pearl white Honda Goldwing in front of Chawton Cottage, he said, “Take your time. I’m going for a tea.” He pointed at Cassandra’s Tea Shop across the road.
There I stood in Jane’s house, a gift from her brother which she shared with her mother and her sister Cassandra; the place she wrote most of her work. I entered the parlour and gingerly touched the little round table she wrote on. Prickles ran up and down my arms. I had seen some of her original writing at the British Museum a few years earlier, but this seemed more real. I imagined Jane slipping her writing under a book whenever someone entered. Although she often shared her writing with her family, she only did so when she was ready.
I climbed the stairs to Jane’s bedroom. The first thing I noticed was the patchwork quilt, made with her sister and mother, hanging on one wall. Each floral, diamond patch stitched meticulously into place surrounding a large basket of cheerful flowers in the centre, reminded me of the hours of labour that would have gone into this undertaking. The bed she slept on, covered in crisp white linen, sits peacefully in a corner. On another wall hangs a topaz cross, a gift from one of her beloved brothers and most probably the inspiration for the topaz cross given to Fanny Price by her brother in the novel, Mansfield Park. A window overlooks the garden. Jane spent many happy hours in this room. When she grew ill, she entertained her visitors here.
Other rooms upstairs house Regency period costumes, carefully preserved and displayed. I enjoyed viewing the muslin, floor length dresses with Empire waists and soft loose skirts in pale pinks, periwinkle blues and lilacs, such as Jane would have worn. At least she did not have to deal with the constraints of a tightly laced corset. Memorabilia of her two Royal Navy brothers, Frank and Charles, can be found in adjoining rooms.
Back in the cottage I chatted with the host and perused the comprehensive selection of Jane Austen books. Of course I could not resist purchasing a few (not that I needed to read anything else about J.A.) I also chose a few souvenirs and postcards before I bid Jane, the house and her memories goodbye. I walked across the street to Cassandra’s Tea Shop to meet my husband, who had downed three cups of tea, ate two pieces of lemon loaf and washed the bike while waiting for me. He asked how my visit was.
Even though Wales is famous for medieval castles, one such “mock” castle off the A55 motorway (a 30 minute drive from the Welsh border) is notable. It serves as an outpost for London’s National Portrait Galley: Bodelwyddan Castle. Bodelwyddan stands on land where property ownership purportedly goes back before the time of the Norman Conquest, and has recorded history dating from 1461, when the Humphreys family got this land as compensation for being booted off the Isle of Angelsey by Edward IV. From 1830-1850, the prominent Sir John Williams led the creating of an old time castle, including adding limestone walls, which actually were heated to protect the fruit orchards during cold weather.
If you want to know just how hard life was for the common man back then, just visit a medieval fortress like Caernarfon Castle on a cold and rainy morning like I did. As I walked through its long passageways and explored the interior rooms whose walls are still intact some 700 years after being built, the chill and drafts went through my layered clothing to my bones. Much of the castle walls, both interior and exterior, remain intact from the time they were constructed between 1283-1330. After Edward I conquered Wales, he imagined a grand castle based on the dream of Roman emperor Magnus Maximus (whose body was found in the area). Maximus envisioned such a place located within a city amidst mountains and opposite an island (matching Caernarfon’s description), so James of Saint George was put in charge of building in this “dream city.”
Caernarfon was once a motte and bailey castle (castle on a mound surrounded by a courtyard). This mound still resides within the courtyard as a dais made of Welsh slate, and was the scene of two Princes of Wales getting their official titles, that being Edward VIII in 1911 and then Prince Charles in 1969. The northeast tower has an extensive exhibit of those two investitures, including Charles’ BBC telecast. Charles immediately walked through the Queen’s Gate to greet his subjects, something which I got to do, as a special balcony still remains for photo opps.
While the Vale of Clwyd is at the bottom of some incredible footpaths with steep angles going up hundreds of feet in the Clwydian Hills that’ll challenge any hiker, the town of Ruthin (an hour’s drive from Manchester) has a castle with the same namesake that’s located just above the base of the valley. It sits on grounds once allegedly housing a fort where King Arthur kept a little “love nest” for one of his mistresses dating before the Norman conquest, but it’s confirmed date for a standing edifice dates back to 1277, when Edward I secured it for his kingdom against the rebellious Welsh.
Anticipation slowly rose as I traversed each room, stopping to read every detail about this holy book and its convoluted history. Entering the dimly lit Treasury Room at the end of the hall, I discovered four books displayed inside a glass case. The Book of Kells, divided into two tomes, was accompanied by the Book of Durrow and the Book of Armagh. Clearly the jewel in the crown was the four Gospels assembled into the Book of Kells.
A chilly wind and a gray overcast sky greeted Diane and me as we set foot on Iona, the birthplace of Christianity in Scotland. St Columba (Colmcille) and twelve companions founded the first monastery here in 563 CE. Almost nothing remains of that original settlement because it had been replaced by St. Mary’s Cathedral, a Benedictine abbey church dating to 1200 CE. You might be surprised to find that this is a working abbey today, operated by an ecumenical community known as the Iona Commonwealth.
A short distance in front of St. Columba’s Shrine, you find St. John’s Cross. This is a copy of an 8th century high cross displayed in the nearby Monks’ Infirmary now serving as a museum. The original cross was painstakingly reconstructed from fragments found on site. Another item of note in the museum is St. Columba’s Pillow, a stone with a ringed cross carved into it. This treasure is stored inside a small metal cage. There is no proof that the saint’s head ever rested on this pillow however.
It was déjà vu all over again; a chilly wind and a gray overcast sky greeted Diane and me at St. Columba’s Church in Kells. This church, set on the site of the original Monastery of Kells, dates to 1778. The churchyard also contains a number of high crosses and a 26-meter round tower all dating back to the early monastic period and the arrival of the Book of Kells.
Learning their lesson, the monks constructed St. Colmcille’s House across the street from the present day churchyard as a more secure location for their precious manuscript and the relics of St. Columba. This dimly lit, empty stone building served as a monk’s dwelling and a scriptorium. The monk’s sleeping quarters in the loft above is still accessible by ladder.
