
South Downs, England
by Darlene Foster
Our delightful visit to England included Yorkshire and North Wales. Viewing the countryside with its stone hedges and ancient castles was made even more enjoyable as we hurtled down narrow roads on a motorcycle.
We had one thing left to do before flying back to Canada; deliver the motorbike to its new owner in London. We traveled down from York, stopped for lunch at a pub in Cambridge overlooking the Thames and watched the rowers practice. As we rode towards London, I was puzzled when we didn’t turn off the M1 taking us into Guildford, but turned east. Soon I recognized signs for Alton, Strawberry Hill, Steventon and Chawton. We were on our way to visit my hero, Jane Austen! My dear husband had planned this as a surprise for me.
As my knight in shining armour parked the pearl white Honda Goldwing in front of Chawton Cottage, he said, “Take your time. I’m going for a tea.” He pointed at Cassandra’s Tea Shop across the road.
I couldn’t believe I was actually there. Chawton Cottage, a charming 17th century, three story red-brick house, was Jane Austen’s home for the last eight years of her life. I entered the front door thinking about how many times dear Jane had crossed that threshold. When I mentioned I had come all the way from Canada, and I was a member of the Jane Austen Society of North America, the kindly receptionist waved the entry fee.
There I stood in Jane’s house, a gift from her brother which she shared with her mother and her sister Cassandra; the place she wrote most of her work. I entered the parlour and gingerly touched the little round table she wrote on. Prickles ran up and down my arms. I had seen some of her original writing at the British Museum a few years earlier, but this seemed more real. I imagined Jane slipping her writing under a book whenever someone entered. Although she often shared her writing with her family, she only did so when she was ready.
The house, very much as it was when Jane lived there at the start of the 19th century, displays family paintings on the walls. The pianoforte Jane played her music on when no one was around, adorns one corner of the drawing room.
I climbed the stairs to Jane’s bedroom. The first thing I noticed was the patchwork quilt, made with her sister and mother, hanging on one wall. Each floral, diamond patch stitched meticulously into place surrounding a large basket of cheerful flowers in the centre, reminded me of the hours of labour that would have gone into this undertaking. The bed she slept on, covered in crisp white linen, sits peacefully in a corner. On another wall hangs a topaz cross, a gift from one of her beloved brothers and most probably the inspiration for the topaz cross given to Fanny Price by her brother in the novel, Mansfield Park. A window overlooks the garden. Jane spent many happy hours in this room. When she grew ill, she entertained her visitors here.
Other rooms upstairs house Regency period costumes, carefully preserved and displayed. I enjoyed viewing the muslin, floor length dresses with Empire waists and soft loose skirts in pale pinks, periwinkle blues and lilacs, such as Jane would have worn. At least she did not have to deal with the constraints of a tightly laced corset. Memorabilia of her two Royal Navy brothers, Frank and Charles, can be found in adjoining rooms.
I felt Jane’s presence everywhere in the house, but nowhere near as much as in the lovely garden surrounding Chawton Cottage. I could sense Jane taking a turn around the garden, delighting in the many varieties of herbs and flowers, and resting on the rustic garden bench. Even her old donkey cart, which carried her around when she was too ill to walk, lives on in the bakehouse.
Back in the cottage I chatted with the host and perused the comprehensive selection of Jane Austen books. Of course I could not resist purchasing a few (not that I needed to read anything else about J.A.) I also chose a few souvenirs and postcards before I bid Jane, the house and her memories goodbye. I walked across the street to Cassandra’s Tea Shop to meet my husband, who had downed three cups of tea, ate two pieces of lemon loaf and washed the bike while waiting for me. He asked how my visit was.
“Jane was most happy I visited her and approved of my arrival on a motorcycle.”
It was a sweet view – sweet to the eye and the mind. English verdure, English culture, English comfort, seen under a sun bright, without being oppressive.
– from ‘Emma’, Jane Austen’s novel written at Chawton Cottage and published in 1815
If You Go:
By vehicle:
To get to Chawton Cottage from London take M25 Junction 10 onto A3 towards Guildford, Follow A3 along Guildford bypass and onto A31. Follow A31 past Farnham and Alton, and at Chawton roundabout (A31/A32), Jane Austen’s House is signposted.
By public transit:
Trains from London (Waterloo), run hourly to Alton.
By bus: connection (Route X64) from Alton Railway Station to Alton Butts then a 12 minute walk down Winchester Road into Chawton village.
Admission Charges: Adults £7.50, Senior Citizens / Students £6.00, Children (6-16 years) £2.00, Under 6 free
More information:
Jane Austen Social Appreciation
Chawton (Jane Austin’s house) on Wikipedia
About the author:
Darlene Foster is a writer of children’s travel/adventure books, short stories and travel articles. Brought up on a ranch near Medicine Hat, Alberta, she dreamed of traveling the world, meeting interesting people and writing stories. She has made it her mission to discover the uniqueness of places and write about them. www.darlenefoster.ca
All photos are by Darlene Foster.

Even though Wales is famous for medieval castles, one such “mock” castle off the A55 motorway (a 30 minute drive from the Welsh border) is notable. It serves as an outpost for London’s National Portrait Galley: Bodelwyddan Castle. Bodelwyddan stands on land where property ownership purportedly goes back before the time of the Norman Conquest, and has recorded history dating from 1461, when the Humphreys family got this land as compensation for being booted off the Isle of Angelsey by Edward IV. From 1830-1850, the prominent Sir John Williams led the creating of an old time castle, including adding limestone walls, which actually were heated to protect the fruit orchards during cold weather.
If you want to know just how hard life was for the common man back then, just visit a medieval fortress like Caernarfon Castle on a cold and rainy morning like I did. As I walked through its long passageways and explored the interior rooms whose walls are still intact some 700 years after being built, the chill and drafts went through my layered clothing to my bones. Much of the castle walls, both interior and exterior, remain intact from the time they were constructed between 1283-1330. After Edward I conquered Wales, he imagined a grand castle based on the dream of Roman emperor Magnus Maximus (whose body was found in the area). Maximus envisioned such a place located within a city amidst mountains and opposite an island (matching Caernarfon’s description), so James of Saint George was put in charge of building in this “dream city.”
Caernarfon was once a motte and bailey castle (castle on a mound surrounded by a courtyard). This mound still resides within the courtyard as a dais made of Welsh slate, and was the scene of two Princes of Wales getting their official titles, that being Edward VIII in 1911 and then Prince Charles in 1969. The northeast tower has an extensive exhibit of those two investitures, including Charles’ BBC telecast. Charles immediately walked through the Queen’s Gate to greet his subjects, something which I got to do, as a special balcony still remains for photo opps.
While the Vale of Clwyd is at the bottom of some incredible footpaths with steep angles going up hundreds of feet in the Clwydian Hills that’ll challenge any hiker, the town of Ruthin (an hour’s drive from Manchester) has a castle with the same namesake that’s located just above the base of the valley. It sits on grounds once allegedly housing a fort where King Arthur kept a little “love nest” for one of his mistresses dating before the Norman conquest, but it’s confirmed date for a standing edifice dates back to 1277, when Edward I secured it for his kingdom against the rebellious Welsh.
Anticipation slowly rose as I traversed each room, stopping to read every detail about this holy book and its convoluted history. Entering the dimly lit Treasury Room at the end of the hall, I discovered four books displayed inside a glass case. The Book of Kells, divided into two tomes, was accompanied by the Book of Durrow and the Book of Armagh. Clearly the jewel in the crown was the four Gospels assembled into the Book of Kells.
A chilly wind and a gray overcast sky greeted Diane and me as we set foot on Iona, the birthplace of Christianity in Scotland. St Columba (Colmcille) and twelve companions founded the first monastery here in 563 CE. Almost nothing remains of that original settlement because it had been replaced by St. Mary’s Cathedral, a Benedictine abbey church dating to 1200 CE. You might be surprised to find that this is a working abbey today, operated by an ecumenical community known as the Iona Commonwealth.
A short distance in front of St. Columba’s Shrine, you find St. John’s Cross. This is a copy of an 8th century high cross displayed in the nearby Monks’ Infirmary now serving as a museum. The original cross was painstakingly reconstructed from fragments found on site. Another item of note in the museum is St. Columba’s Pillow, a stone with a ringed cross carved into it. This treasure is stored inside a small metal cage. There is no proof that the saint’s head ever rested on this pillow however.
It was déjà vu all over again; a chilly wind and a gray overcast sky greeted Diane and me at St. Columba’s Church in Kells. This church, set on the site of the original Monastery of Kells, dates to 1778. The churchyard also contains a number of high crosses and a 26-meter round tower all dating back to the early monastic period and the arrival of the Book of Kells.
Learning their lesson, the monks constructed St. Colmcille’s House across the street from the present day churchyard as a more secure location for their precious manuscript and the relics of St. Columba. This dimly lit, empty stone building served as a monk’s dwelling and a scriptorium. The monk’s sleeping quarters in the loft above is still accessible by ladder.
London it isn’t – nor Edinburgh. There’s nothing twee, contrived, touristy or pretty-pretty about Glasgow. Glasgow is down-to-earth, has real character. It’s smart, gritty, witty, vibrant and alive. It’s the genuine article.
The Necropolis lies on a hill overlooking the city. All of Glasgow stretched out before us: the Tennent’s brewery close by, isolated tenement blocks, smaller brick-built houses, concrete offices and wind turbines on the moors, far on the horizon. Alan pointed out the place where his tenement home had once stood, long gone now. It had survived an incendiary bomb during the war (His mother, an ARP warden, had hosed down the fire in the attic herself) only for the building to be later demolished.
The gravestones are filled with story and history. I could have spent hours there uncovering lives like John Ronald Ker’s: accidentally drowned while shooting wildfowl from a small boat off Contyre of Ronaghan at the early age of 21 – of a generous and amiable disposition and endearing qualities which made him so agreeable a companion, so good and true a friend. (July 1868)
A stained glass tells the story of St Mungo and the miracles associated with him (symbols that form the Glasgow coat of arms):
“I know,” said Alan. “It’s a mistake. Charlie took great delight in showing people his name on the memorial, claiming he was one of the living dead. He thought it a great joke.” “But how did he end up on the list?”
We visited the Clydeside, currently being regenerated with its smart new Riverside Museum, a theatre – the Armadillo, and the science museum tower. Over in the West End we discovered a vibrant hub of fine eateries, trendy boutiques and night clubs set among the cleaned-up sandstone Victorian buildings; handsome historic university buildings and museums set in leafy parks and hilly bluffs.
This massive twenty-one-tower complex built by William the Conqueror shortly after he came into power in 1066 served a variety of functions, including a fortress against foreign attack, a repository for the crown jewels, and a refuge for the royal family in times of civil disorder. However, the Tower of London remains notorious as the site for some of England’s bloodiest bits, a living testimony to the hell that happened when certain royals ruled the roost.
After I passed by Traitor’s Gate, the famous entry to the Tower where prisoners would enter from the River Thames to the Tower, I took a counterclockwise tour of the various towers. Passing by a sequence of cells and chapels, I almost felt as though I was traversing through a medieval monastery. That is until I stumbled upon a display of torture instruments clearly designed to stretch someone into submission.
