
Karen, Kenya
by Marcia Walker
Often, as a teenager, before drifting off to sleep, the first lines of her novel floated through my mind: “I had a farm in Africa, at the foot of the Ngong Hills.” I read Out of Africa, Karen Blixen’s memoir chronicling the struggles on her Kenyan coffee farm, when I was sixteen. I read it and re-read it and read it again. Twenty-five years later, it was one of the rare books to survive my fourteen moves. My copy was creased and worn with age, stained from my old leaky waterbed and had so many dog-eared pages it puffed out like a fan. I had not read the book in years but her farm, her Africa, had become part of the geography of my mind. A place forged out of teenage longing.
It is dangerous to visit the places of novels, especially those read in the tender, impressionable years of high school. So it was with trepidation that I traveled to Kenya and found myself driving up the curved brick driveway of Karen Blixen’s farm, now a museum. She moved here in 1914 and was forced to leave in 1931 after enduring a series of cataclysmic events (divorce, syphilis, World War I, the Depression, drought, a fire, and the sudden death of her lover). I knew the place in my mind was probably nothing like reality; yet, I felt compelled to visit.
It took two hours to travel the twelve kilometers from downtown Nairobi to Blixen’s farm. The main highway, currently being re-built by the Chinese government, was under heavy construction. Whatever romance I had expected was wiped out by the intense drive. Horns blared. Thick smog reeked of car fumes. Engines idled without any forward movement. Men selling everything from magazines to bananas pressed up against the car. My driver advised me to keep my window closed so I wouldn’t be robbed. With one of the highest crime rates in Africa, Nairobi has the infamous nickname “Now rob me”.
Once distant from Nairobi, the city has swallowed up the writer’s 6000-acre coffee plantation. It’s now part of a wealthy suburb called Karen (named after the writer), surrounded by posh private schools, palatial estates, and tourist attractions. I asked the driver if there were any wild monkeys or gazelle still around. He shook his head and told me they were long gone.
Still, as we drove up the laneway, my palms grew damp and I felt anxious, like I was meeting someone I had not seen in several years and was worried about making a good impression. Such is the odd relationship between a reader, a novel and the novelist. The reader feels a tenderness that is one-sided. Loving a novel is always unrequited.
As the house came into full view I recognized the stone bungalow farmhouse with the wrap around veranda. The cinnamon coloured tiled roof soaked in the morning sun. The floor to ceiling windows opened up, like doorways, so the wind blew dry dust through the house. I half expected Blixen’s Scotch Deerhound to run up barking beside the car.
When I opened my door, the spicy smell of Cypress stung my nostrils. Norfolk pines and columnar cypress lined the immaculate grounds. Cultivated shrubs with fushia foliage bordered the front lawn. Delicate blue flowers opened to the cloudless sky. The wide lawn stretched across the front and the back of the house. There was a lot of activity as workers erected great white tents in the backyard for a craft fair on the weekend. The property is popular for weddings and special events.
Several tourists milled about the front yard taking photos. I followed a small hand painted sign that said “museum”. Behind a rickety desk sat a young man, looking bored. He changed his face to a smile when he saw me and offered to take me on a tour of the house for a small fee. When I declined, he stopped smiling.
I wandered through the house alone. Like most museums, it was strangely devoid of sound. An occasional bellow from one of the workers echoed through the living room. The dining room table was covered with a cream coloured lace cloth and set with blue and white patterned china as if friends were expected for tea. Red roses wilted in a glass vase next to two unlit candles. In the study, behind a sturdy writing desk, leather bound books with the initials DFH on the spine filled the floor to ceiling bookshelves. A small black and white photo of a young Karen Blixen, taken before her ill-fated marriage to Baron Bror Blixen-Finecke, leaned up against the wall. I tried to imagine the writer living here but found it difficult to imagine anyone living in this staged atmosphere.
I walked into the bedroom. There was a tiny, white bed with a hard looking mattress. A pair of riding boots stood in the centre of the room. Several British tourists shuffled in behind me following their guide. They had paid for a tour and were fans of the 1985 movie, based on the novel, starring Meryl Streep as Karen Blixen and Robert Redford as Denys Finch Hatton, her lover. The guide began his spiel.
“Karen Blixen sold most of her furniture to her neighbours before she left Africa so these are all replicas. One of her relatives in Denmark owns her bed. When they filmed Out of Africa, the film crew generously donated the furniture to the museum. Those riding boots weren’t Karen’s but Meryl Streep wore them in the movie.”
The British tourists and I stared at the polished black boots. No one spoke. I stifled a laugh. My literary pilgrimage had brought me to an abandoned film set.
I slipped out through the small gift shop after buying several of her other books. They’re still published under her pen name Isak Dinesen. After meandering through the front garden I sat next to a juniper tree. Several rusted tools used in the early 1900s for coffee plantation were littered around me. A large wagon teetered with half of its front wheel embedded into the soil. I leaned against it, gazing back at Blixen’s house. I felt no closer to the writer visiting her home. I had no grand epiphany but the warm sun felt good on my body and I felt released from expectation. I peered above the house and recognized the dark outline of the rolling Ngong Hills. They stood, unchanged and immovable, against the vast blue sky.
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Out of Africa Tour: Giraffe Centre and Karen Blixen Museum from Nairobi
If You Go:
Museum:
For information on the Karen Blixen Museum in Nairobi
Food:
For a good restaurant nearby try the on-site cafe at the Utamaduni Crafts Centre
or The Karen Blixen Coffee Garden
Interests:
Other worthwhile stops in the Karen area of Nairobi:
The Giraffe Center
Kazuri Bead Factory
Utamaduni Craft Center
The Elephant Orphanage
About the author:
Marcia’s writing has appeared in the Toronto Globe and Mail, skirt! magazine, Artscape and the CBC radio programs DNTO and The Wild Side. Come visit her at www.marciawalker.ca.
All photos are by Marcia Walker:
The Farm House
Closeup of the Clock
Dining Room
Picture of Karen Blixen
Bedroom

The padrãos had several intentions, as did the voyages around the African continent themselves. Portugal, surrounded by hostile kingdoms, turned to the sea to find a new route to India’s spice trade that eliminated greedy middle men. The padrãos not only acted as navigational aids, but proclaimed the land around them as Christian, and belonging to the Kingdom of Portugal. They were also a handy source of ballast, generally only positioned on a voyage’s homeward journey. The carved inscription on the Cape Cross padrão reads: “In the year…1485 after the birth of Christ, the most excellent and serene king Dom John II of Portugal ordered this land to be discovered and this padrão to be placed by Diogo Cao”.Namibia’s Cape Cross was Cao’s journeys end. The next 15 years would see countrymen Bartolomeu Dias and Vasco da Gama forge a sea route to India’s Malabar Coast. Each explorer was dependent upon the discoveries of those who had gone before and the padrãos they had positioned.
I didn’t get close enough to feel their influence until reaching Soyo on Angola’s northern border, the southern bank of the River Congo, four months after beginning. It took Cao about the same length of time by sail. Even then I was unable to find the fragmentary remains of his padrão which are said to exist.
Dias used Cao’s discoveries to continue, taking anchor 75 miles further south at Walvis Bay, a town still dependent on ships anchoring today. On its outskirts, monumental stylized rigged ships celebrate the town’s earlier European visitor.
From Mossel Bay da Gama faced unknown seas, passing Dias’ endpoint on December 16 1497. It was coming up to Christmas, so the coast da Gama spotted on his left hand side was named Natal (birth). His four caravels continued up the East coast of Africa eventually reaching Mozambique Island. Here on the island’s eastern end, facing a small, later Portuguese fort, I encountered the remains of his padrão. This was the closest I had come so far to one of the original navigational aids.
My search for the Portuguese explorers was finally over. I took a three-wheeled tuktuk to the padrão. The intervening years between me and da Gama had not been kind to it. Instead of the slim column of Lisbon limestone, it had been variously altered so it now resembled a giant white traffic cone topped with a Greek cross. Yet there it still stands on a rocky outcrop. One of the only original Portuguese padrãos I had been able to find during my own exploration of Africa 500 years on. From here da Gama went across the ocean to India. His mission complete, he returned home to report his successes to the king of Portugal. I still had to cross to Egypt, and follow the Mediterranean back to Tangier to Encircle Africa.
The present city with its much admired walls and Medina is a creation, a purpose built sea port, commissioned by King Mohammed III during the 18th century. He wanted to develop trade with Europe and beyond and to establish a counterbalance to Agadir, whose inhabitants favored a rival of him. For twelve years, the king instructed and oversaw French engineer and architect Theodore Cornut, who designed the modern city, the medina and the international quarters. At the time, Morocco depended heavily on the caravan trade, which brought merchandise from sub-Saharan Africa to Timbuktu, then from there through the desert and over the Atlas mountains to Marrakesh and, finally, making use of the straight road, to the thriving port of Essaouira.
The long stretched island of Mogador protects Essaouira from the strongest Atlantic winds, but there is still plenty around to make the place a paradise for surfers and kite surfers. The wide, white beaches invite to sunbathing, swimming and any other imaginable kind of water sport.
Small wonder that this picturesque, sedate and slightly melancholic city attracted such divers personalities as Churchill, Welles and Hendrix. Orson Welles even got honored with a statue, although his nose is now missing.
We were the only guests at Residence LaPasoa, as we would be elsewhere. There’s nothing quite like the threat of cyclones and a coup d’etat to keep the tourists away. After the coup, the journalists poked their noses into the pub, Ku De Ta, just for the name. It was all quite wonderful for us, but not for those gentle people who lived from tourism. But there was little to be nervous about. Life goes on; people go about their business because that’s what they have to do.
We had the dogs of La Crique with us, three of them, led by a little mutt who was a terror for chickens. With the emergence of a lanky Malagasy chicken from the rice or bush his ears perked and in two seconds the chase was on. The other dogs followed. They killed a chicken on that walk. I felt like I’d stolen from somebody. They weren’t even our dogs.
You get to the tiny island of Ille aux Nattes by pirogue, though you can walk the channel. The boatmen line up and beseech you to vote for their boat. We stayed at Baboo Village, next to a place owned by a South African, Ockie. He too had only two guests, Dutch with some business on Madagascar. They were aimlessly chilling with Ockie, watching DVDs on the widescreen in the evening and in the mornings sitting on the deck with coffee and whiskey watching the pirogues cross the channel with their cargo.
Durban throbs with the rhythms of Black Africa that are not as accessible on the typical tourist track. The aromas wafting from stalls and cafés are unidentifiable, but worth exploring. Street vendors sell everything from beadwork to biltong (spicy, dried meat). The African taxis, actually ten-passenger vans, clog the city streets hawking for business and owning the road. Women carry grocery bags on their heads and kids on their backs. It’s high energy here and crowded.
On day three, I take a city tour recommended by locals. Richard Powell and his Zulu assistant, Sthembiso, of Street Scene Tours treat me to a five-hour tour that costs under $40.00 including lunch. This is not your average tour, but an experience that exposes the beat of African Durban. The pair work as a tag team: Richard explains the city’s layout and history as we pass the colonial landmarks, and Sthembiso describes the African outlook and way of life as we meander through the Zulu markets and Muslim arcades.
Since Durban was settled, the large East Indian population has offered its traditional dishes all over the city. Their most famous is Bunny Chow. The Indians who caddied at the Royal Durban Golf Club never had time to stop for lunch, so Mr. Bunny created a unique curry sandwich they could munch on the go. He scooped out the centre of half a loaf, filled the hole with a spicy curry, and stuffed the bread back on top. I eat mine with my fingers, mopping up the hot sauce with pieces of bread and loving it.
The thatched Hilltop Lodge overlooks a wide valley and is blessed with all the amenities of an excellent hotel, including delicious breakfast and dinner buffets. As I push open the door of our roomy cottage, my first sight is a warning about marauding baboons – the robust grills over our windows speak volumes. Harmless Vervet monkeys gambol all around us.
Abruptly the park ranger stops and points out a couple of Nyala (antelope) on a distant slope. Even with binoculars I can barely see them – is this as close as we will get to the game? Then over the next rise, a Black Rhino grazes not 50 feet away. We turn another corner and nearly run into a giraffe. After that, the game appears thick, fast, and close until the sun sets. But the best comes after dark, when we disturb a lion lying in the middle of the trail. He hightails into the bush but stops ten feet away and, with the aid of a spotlight, I can count his teeth when he yawns.
